Tag: publishing

Total Solar Eclipse of the Heart: Flash Fiction and Poetry

Total Solar Eclipse of the Heart: Flash Fiction and Poetry

Those That Thunder Takes 

Stan Nesbit

Beneath its wing I trembled, the beat of my heart a cacophony in my ears. she held me so close, the warmth and grit of its scaly feet clutched around my arms. Her head hung, with an eye turned up towards the heaven in wait. Hours ago she found me, plucked me from my home. 

“Where could he be?” my wife’s voice sang in my mind with visions of her stumbling through the grass and wildflowers in bloom. Far above that bird, I stole fleeting glimpses of the sun that dimmed. A vast cosmic mouth, hungrily gulping it down like a plump field rat in the jaws of a snake. As it greedily snatched the sun away, I could hear the faintest of rumbles growing in the gullet of that massive bird. Building eagerly as we watched the sun slip away. 

And as night took day, that rumbling turned to a thunderous caw of expectant bliss, deafening all else. All at once, the beat of my heart faded, and so too did the sing-song voice of my wife as the chill set in. It was so cold, a chill that seeped from the deep ache in my chest as my thoughts slipped away, and that horrible cawing fell silent, my body jerked and twitched with each elated nip of that thunderbird’s jaws into me. As sleep took me, I glimpsed upon the sun with slitted eyes, its beauty breaking night once more as I fell into oblivion.


The Vampire & The Hunter 

Jessica Salina

She’d forgotten what the sun felt like.

The moon was safe. Even when danger roamed under the cover of shadows where the moon’s light did not reach, she bared her fangs. The moon did not burn against the deathlike pallor of her skin. The moon did not illuminate her secrets, allowing her to drink blood in peace.

But when the shy man with golden hair and a smile that brightened up a room found her one night, he did not stake her heart. Instead, he offered a blood bag.

As she drank, they sat beneath the moon’s glow. He spoke like birds sang. Sun-kissed, his skin was warm to the touch in a way she hadn’t felt in centuries.

With time, she hoped he’d offer her his neck. She dreamed of how warm his blood must be, with all his time in the sun. Its rays seemed to emit from him every time he smiled or laughed. It reminded her of when she was human, when she could emerge during the daylight without risk of burning alive.

She’d gotten so used to his warmth that when he lured her away from the shadows and into the day, she almost didn’t realize how the blue sky—so much brighter than she remembered—swallowed her whole. As her vision flashed to white, she almost didn’t realize how the sun that gave him life devoured her own.

She’d forgotten what the sun felt like until he came along. And then, she felt nothing at all.


Made of Fire and Cheese

Melanie Mar

I used to look at the sky and wonder out loud,

what was beyond the dreamy, blue nothing and its cotton clouds.

The moon was of cheese, and the sun was of embers,

both engraved in a feeling I long to remember.

The stars twinkled their red and blasted their blue,

forever feeding the minds in forms of a muse.

The night and the day would talk in their codes,

but always made sure to light the same North.

It’s funny how now that North is hidden in haze,

and the stars are nothing but lingering planes.

The sun blazes and blinds, leaves fire in its wake,

but it seems like it’s almost begging for the pain.

The moonlight became for lovers and secrets,

likely the one thing that will never breach them.

The bare sky is now jarring, but clouds threaten rain,

and everyone knows we can’t welcome those stains.

Lately I wonder if both can be true.

Can the stars wink their greeting while I cry at the moon?

And so what if the sun begs things to flee,

surely sometimes we can smile up with glee.

The blue skies may never reveal what they truly hold,

but maybe that mystery is what makes chaos gold.


Non-Fiction

Ollie Shane

There have been eclipses since the beginning of Earth’s ellipsis. I remembered this as I walked out the front yard to see my first one. The southern california weather was normal: blue sky, shaded palm trees, a light breeze. I was here to see the “ish” in normalish–the black blip of the sun and moon together. I remember being told not to look directly at it: the internet would have a field day with our president doing the same. In this moment, I  thought of Orpheus and Eurydice: Hadestown was a year away, so I remembered D’Audelaire’s telling. He couldn’t obey because of what catastrophes it took to get him here. He could not imagine more to come. But now he was in the stars: if he could try, could he see me, with some wonder and dread, seeing the unnatural portends I could in a box that used to hold my possessions and would again?


The Full Moon

Avery Timmons

The yard was bathed in moonlight.

He liked nights like these, when everything was still and the full moon perched high in

the sky. He would lift his face to the star-speckled sky, just taking in these rare moments of quiet. He had never believed in moon rituals or anything supernatural; his wife always warned him how the full moon brought out strange creatures, but he brushed her off. He had been doing this every month for a long while, and he had never run into werewolves or other beings she

adamantly believed in. He never felt anything but recharged after standing under the full moon; it was his safe place.

But tonight, he heard a growl.

His eyes snapped open. He looked at the tree line at the yard’s edge, staying still as

something shiny caught his eye, like two small moons. A coyote, maybe—they didn’t get

anything bigger than coyotes around these parts, and while he didn’t want to have a run-in with a coyote, he knew he wouldn’t be meeting anything worse.

Right?

Another glimmer caught his eye, and his breath caught in his throat. He took a step back, only for his foot to catch on a branch. He collided with the ground, but he barely noticed the pain jolting through his tailbone—not when the moonlight caught a gleaming mouthful of sharp teeth.

His fear turned into his wife’s voice in his head as the creature crept closer:

Watch out for the werewolves.


Solar Eclipse

Brianne Córdova

A hush falls over the crowd, and newfound darkness cools my skin. 

Tiny fingers squeeze my hand. “Mommy, the sun! It’s hiding.” 

“Make sure you’re wearing your glasses, or else you’ll end up like me,” I tease. 

“I am.” Her small voice pitches in awe. “I wish you could see it, too.” 

I smile at her and see galaxies. Her happiness, a supernova, her heart, the sun. In her hands she holds my soul like a black hole, inescapable and infinite in its love. Her laugh is starlight sprinkled in the black, her innocence a comet streaking past. 

Fleeting. 

And I am suspended in time, a moment of zero gravity before the weight of reality pulls me into its atmosphere and stings the back of my eyes. 

These memories are my eclipse, the halo of light breaking through the blackness. Rare. Beautiful. Brief. The smooth contours of the engraving they leave on my heart will be the only witness of their existence, saying, I was there. I held my universe in my palm while she gasped in admiration

If only she realized the cosmic wonder she beheld was a shadow of the multitudes within her. 

“Don’t worry,” amidst the darkness, I squeeze her hand in return, “I’m not missing a thing.”


Shadow Life

Rebecca Minelg

He slaps the eclipse glasses back on his face and runs outside again. Crescent shadows pepper the back porch as he gazes up, rapt, fingers already shaping the scythe in the sky. He rushes back to the kitchen table, filling another box in his progression study.

Were there eclipses when I was a child? Why don’t I remember them? The 3 R’s were more important, apparently. I slide another pair of glasses onto my own face. Maybe we spend our lives trying to give our children the things we never had, but that doesn’t mean we have to live vicariously. We could just live.

I study the sky and the shadows at my feet, as fascinated by science as he is in this moment. I shiver as the last wisps of sunlight fade, the birdsong abruptly silenced. A strange wind sweeps across my skin. “Come here, buddy!” I shout as the corona flares. “This is so cool!”

He grins at me, then looks skyward. “Yeah, it is!”

We stand together until our shadows reappear, growing across the porch and anchoring our feet back to the earth.


A Night Under the Stars (in Aunt Laura’s Truck)

Bruce Buchanan

“That’s the Big Dipper—see? Those stars make the handle, and those are the cup.”

Aunt Laura aimed a wrinkled but deceptively strong hand up to the dark, clear sky. “Okay…I think I see it,” I said. It was a fib. I thought the clear, dark sky just looked like a million pinpricks on a giant Lite Brite. I couldn’t make any order or pattern out of it.

But that was okay; I wanted to hear what Aunt Laura would say next. 

I’d finished first grade a few weeks earlier, and my parents were stuck working late—an occupational hazard for nurse anesthetists. So I spent this Carolina summer night in the bed of my Aunt Laura’s white pick-up truck, looking at stars and listening to her stories under the sweetgum tree.

And did she have stories! From thrilling historical adventures to personal accounts of Great Depression hardships to spooky-but-not-too-frightening ghost stories, Aunt Laura kept me entertained with nothing more than a flashlight and her imagination. She told me her sons, who grew up and moved away years earlier, once found Revolutionary War relics in the sprawling soybean field beside her house. And then she held up the Mason jar containing musket balls, metal buttons, and tattered canvas.

I snacked on my bowl of dry Froot Loops and soaked up every tale. Then the headlights of my parents’ Chevy Malibu obscured the stars. I knew Mom and Dad were exhausted, but I wish I could’ve stayed for one more story.


Mother

Greg Jones

Mother

My sun is a slowly closing eye

Her heart rages

I imagine her roar

calling out to the black emptiness 

for eons past

and when at last she blinks out,

her molten heart turn to ice

I will recall fondly her warmth on my face,

as I spin round the void,

and regret the days I ever shielded her from my eyes.

Stare hard , my friends.

We will all be blind before long


A Cosmic Kiss

Julie Krohn

The sun, our star, the beacon of light to our world by day.

The moon, our satellite, the silver nightlight to our dreams at night.

Once in a blue moon, these two meet, just briefly, to dance in the celestial heavens and kiss under the midnight sky. Our little moon. Our giant sun. How impressive are the odds these two could align perfectly from our viewpoint to provide a spectacular cosmic show?

In the path of solar eclipse totality, under the bright blue sky, scarce white puffy clouds line the horizon.  Schools are closed, friends gather, and expressways become congested. Tourists book hotels, gas prices increase, and grocery shelves become empty.  We dig out our special solar eclipse safety glasses and sit outside in parks, backyards and even on rooftops to get a glimpse, just a moment in history, when the world goes dark, and these two celestial beings align. 

As the air becomes chilled, dark shadows creep over the land.

Day meets night. Shadow meets light. 

The sky turns black and bright diamond-like sparkles shine from the brilliant stars above.  

In the moment of totality, the sun and moon overlap and kiss the midnight sky with a ring of fire.  A meeting of celestial beings. A kiss in the heavens.


What If I Can’t Be a Hero?

Melissa R. Mendelson

I feel like an idiot sitting here by the water and waiting for the solar eclipse.  What stupidity to even dream that when this eclipse comes and goes, that I would become different?  Yet, what if I did change?  Would I change for the better, and if I gained some kind of power, wouldn’t I then become a target, envious by some and feared by others?  I should go inside.  But I can’t.  It’s growing darker, and the water nearby almost speaks to me.  Something is happening.  I feel something, a change, I think.  Please, God, just let me be different.  Give me some kind of ability that I won’t feel helpless every damn day as the world breaks apart around me.  There goes the sun.  There goes the water.  Stillness.  Darkness.  Yet, I remain.


Fibonacci Poem: Solar Eclipse

LindaAnn LoSchiavo

“Don’t
look!”
they say.

Our urge is
to seek out the strange —
defy beauty’s awful logic.


There be Monsters 

J.K. Raymond 

Facing brightened eyes, 

under sunlit skies, 

Humans stumbled through the days. 

Among cheery smiles, 

who passed them by, 

with “Hello’s” and “Good day’s”. 

There be monsters in the sun. 

Pretenders that thrive in the light. 

With pick pocket lies and alibis. 

Every coin set in their sights. 

And so, the beat went on. 

Sun shining down, on weary brows, 

Souls toiled through the days. 

Some had nothing left to give, 

and began to fade away. 

But mother moon had been watching, 

and disapproved of what she’d seen. 

Fifty, fifty had been the deal, 

but not what she received. 

These creatures that returned to her, 

at the end of every day, were used up 

With no honor left to pay. 

No will to wish upon a star, 

or linger in their lovers’ arms. 

No dreaming of tomorrow. 

Without the honor of these gifts 

The moon would more than wane 

Without the worship in our play 

She’d simply drift away 

So, a Titan embraced humans, 

who were fading far too soon. 

And tucked them under cover. 

In the silverest of rooms. 

While plying them with honeyed cakes, 

and healing herbal teas, 

she read to them “Goodnight moon,” 

before she turned away to leave. 

The triple goddess of the moon, 

pulled the night across the day. 

Then strolled down to the Otherworld. 

And gathered the demons’ names. 

Then cast the lot away.                                                                                                                         

The mother, maiden, and the crone, 

Drowning them in the river Styx,  

‘Til it flows the other way. 

There be monsters in the dark, 

And monsters in the day. 

Waiting in the crossroads,  

is the goddess Hecate. 

Meet Your Heroes!

Meet Your Heroes!

by Greg Jones

I’ve heard it said to “never meet your heroes.” However, there are certain people who impact your life in such a profound way that it would be a disservice to yourself and to them if you didn’t seek them out when possible to have the chance to maybe engage on a more personal level. I personally believe, in this ever-distancing world, that these encounters are more important now than ever.

A literary hero might be the most elusive of all.

I had the good fortune of meeting Clive Barker at a Harry Schwartz bookshop in Milwaukee about 20 years ago. It, to this day, plays on repeat on the highlight reel of my life.

To say he is a major influence in my life is a vast understatement. At 14, when I first read his short horror fiction, I knew this was something unique and special. His writing brought poetry and elegance to a genre that was sorely lacking in those qualities up to that point. It has influenced and inspired my art and my writing ever since.

To those not familiar with Mr. Barker, he was very prolific in the 80’s and 90’s, moving from horror to dark fantasy to full adult fantasy novels. In 2012 he fell into a coma after a dental procedure left him battling toxic shock syndrome, which has affected his health ever since. He recently posted that he would be doing a handful of personal appearances throughout 2024 and then focusing entirely on various unfinished projects.

This news came the same evening as my final cover reveal for my upcoming horror poetry collection from Wild Ink. I learned that he would be coming to Chicago at the end of March and I made arrangements to make the trip.  

I arrived at the convention center with a framed photo of the two of us from that first Milwaukee meeting as well as a binder containing a selection of my strongest poems, a copy of the cover art for my book and an emotional letter explaining what a profound effect he has had in my life. Two hours later we would meet for the second and, most likely, last time.

He shook my hand and said ‘’Hello” and I was taken aback at the frail man before me. It was emotional to say the least.

I showed him the photo of the two of us and he commented how we were both “children” back then. We reminisced on the picture and then I asked him if I could give him something. I handed him the folder and told him about the pending publication and that it would not even exist if it weren’t for him. I could see he was affected by this and he shook my hand again.

He leafed through the pages and asked me how long I had been writing poetry and “why” I had started writing. Again I told him “because of you.” He said he was honored and actually asked ME to autograph the sampling for him. I was astounded. It was surreal as I signed my name to a dedication to him!

He asked my wife if she was proud then asked her if “I” was proud, to which we both responded, absolutely. He ended by saying what a huge accomplishment this was. Before I left I shook his hand again and told him my contact information was included inside and if he ever felt the urge to send along any words of encouragement or advice I would be forever grateful.

I left deeply moved and affected and filled with many feelings. Validation, pride, hope, and a bittersweet sadness knowing this might be the last time I ever speak to him. It was a complete full circle moment for me and I am beyond grateful for his words and attention and just for being the genuinely decent human being I remember from 20 years before. I hope on some level it meant as much to him as it did to me.

I have been fortunate enough over the years to meet or have interactions with many of the people I look up to and respect. It is a gift to share these moments with individuals who have moved or inspired you and I would encourage anyone to take that chance if it presents itself.


Born in 1970, I grew up,  in my opinion, in the pinnacle of all things. The best films, music, comic books and those fantastic 80’s horror novels. No matter where my mind wandered it eventually found it’s way back to something with a monster in it. I spent my adolescence hunched over a drawing table, occasionally writing and living my life in pursuit of personal creative goals. In my current role at the local library I am surrounded by books all day and inspired daily to keep creating my horror inspired poetry.

“Meet Me in the Flames” is my first published work and I am diligently scribbling away on a new poetry collection as well as a series of short stories.

When not reading, writing or working on some kind of art you can find me listening to old country records, watching anything remotely creepy or traveling the globe in search of the perfect mountain sunset.

I live in Wisconsin with my loving wife of 30 years and my three amazing daughters all of whom contribute to my writing with editing skills and strong stomachs.

Don’t Quit Your Day Job (and Why That’s a Good Thing!)

Don’t Quit Your Day Job (and Why That’s a Good Thing!)

By Bruce Buchanan

Making full-time living writing fiction is living the dream—but for most authors (even ones with book deals), being a writer means working a day job. 

If you are one of those writers, you are in good company. Octavia Butler wrote by night and punched the clock at a potato chip factory by day. T.S. Eliot worked at a bank, even after publishing “The Wasteland.” Charlotte Brontë served as a governess to wealthy British families; her experiences in this job helped her write Jane Eyre.

When I’m not clicking away at the keyboard on my next YA fantasy book, I’m…clicking away at the keyboard in the corporate communications realm. Like many other colleagues, I chose a career that allows me to use my writing skills, albeit in ways that don’t involve a magic-using princess or a blacksmith’s heroic son. I know writers who are English, writing and drama teachers (both on the high school and collegiate levels), librarians, editors, and journalists.

But plenty of other fiction authors have day jobs that don’t focus on writing or literature. One author friend manages a medical facility, putting her master’s degree in healthcare administration to good use. Another author I know recently retired as a funeral director and now is the office manager for her family’s small business. And one talented horror writer I’ve met delivers online orders from restaurants. She keeps a notebook in her car so she can write between deliveries. 

Balancing any job with a writing career requires strong time management skills, though. Conquest Publishing novelist S.E. Reed recently gave a great presentation on “Tips for Busy Writers” at the Writer’s Workout Virtual Conference. S.E. juggles a full-time career, three school-age kids, and a flourishing writing career, and she shares some best practices on how writers can manage their time.

My personal tip is to carve out a short amount of time every day for writing. I do a 20-minute daily writing sprint. This means no social media, no TV, no distractions—just head-down writing for 20 minutes minimum. You’ll be surprised at how much you can get done in an intensive burst if you eliminate distractions! 

Once you figure out how to balance your work with your writing, there’s a big upside in having a day job. Writing gets to be your passion project—the thing that you love to do. You can write what you want when you want to write it. 

Obviously, if you are working with a publishing company, you must keep their deadlines and commercial considerations in mind. But it is liberating to know your next meal or your family’s mortgage payment doesn’t depend on writing a story. Even the best jobs invariably become responsibilities (as one colleague put it, “It’s why they call it ‘work.’”) Writing doesn’t have to be that way—it can remain something that brings you joy.

I’ll give the last word to Kurt Vonnegut, who sold cars in addition to writing some of the most enduring works of the 20th Century:

“Practice any art, music, singing, dancing, acting, drawing, painting, sculpting, poetry, fiction, essays, reportage, no matter how well or badly, not to get money and fame, but to experience becoming, to find out what’s inside you, to make your soul grow.”

Bruce Buchanan is the senior communications writer for an international law firm by day. His debut YA fantasy novel, THE BLACKSMITH’S BOY, is coming soon from Wild Ink Publishing. A longtime lover of fantasy and heroic fiction, he lives in Greensboro, N.C. with his wife, Amy, and their 17-year-old son, Jackson. Follow him at @BBuchananWomble and @brucebuchanan7710.

The Writer as a Tortoise.

The Writer as a Tortoise.

by Sheelagh Aston

It is estimated that 97% of people who start writing a novel never finish it. So, congratulations on finishing the first draft of your MS.

Do not underestimate the achievement and enjoy the satisfaction of writing THE END.

Celebrate. You deserve it.

Now what?

You will be eager to get it out there in the world.

Here is some advice – DON’T.

Jericho Writers estimate the chance for a new writer to get an agent is 1 in 1000. The most common reason for rejecting an MS given is poor presentation or the story needs more work/editing done on it for an agent to send out on submission or a publisher to take on.

Few agents or publishers have the time or inclination to undertake several rounds of edits.

As for self-published novels. The biggest compliant by readers is many novels feel underwritten and contain grammatical errors in them.

 JK Rowling rewrote the first chapter of HP & the Philosopher’s Stone 15 times. As a writer your may find you have more in common with the tortoise and not the hare of the children’s Aesop’s fable. The tortoise took their time, did not rush, and won the race. The bragging, puffed-out hare failed to stay the distance.

Learning to be a tortoise, not a hare, is a key skill for a writer. One not often discussed at writers’ courses or conferences. Many writers simply learn via the school of hard knocks.

Developing a process for ensuring your work is the very best it can before you send it out for submission or to print takes time and a lot of patience. For many new to writing it can also be confusing – just check out the number of editing services and writing courses advertised on the internet. Yet they emphasise how important it is to take your time and get the MS up to publication standards.

It will take you time to work out a process that suits you and your budget. (if you have one) and to find people you can entrust your precious work for critiquing and editing.  What is offered below is a framework that can be done for little money and will enable you to reach a point where you can have confidence that whether you go down the traditional or self-publishing route your manuscript is the best it can be for the next stage of it journey to publication.

  1. Put the 1st draft in a drawer and leave it there for at least three weeks – longer if you can. Give yourself time to distance your giddy emotions from writing it so when you come back to it, you can look at it with a fresh eyes and clearer head.
  2. Go through a hard copy with a red pen– yes it means printing and paper but it is easy to miss things when reading material on computer screen. You will catch more typos, notice issues about the overall story’s pacing, plotting and characterisation if you read a paper version. You can make notes in the margin.
  3. As you go through it write a scene/chapter breakdown of the story. This will help if you need to move scenes or chapters around, check your timeline works and, if you are writing more than one POV, ensure everyone gets a turn. It can be a quick reference to locate what happens when (believe me you will get confused at some point)
  4. When you have done your revision find 2-3 people who will read it (called beta readers) – not friends or relatives. Joining a writers’ group, in person or online can help this – you may have to return the favour – and this in turn will help you develop your inner-editor’s eye for your own work. There are online critique groups you can join as well. Critique.com is one. A search on Yoututbe to find writing webinars will throw up zillions on various aspects of writing including editing and critiquing that can help you. 
  5. While waiting for feedback research the different types of editing in case you need one later i.e. the differences between developmental and line editing. (This is where it can get expensive – understanding the different types of editorial services will help you chose the right one for your MS and discuss your need with an editor.)
  6. Clunk or Chime? – When you get all the critiques back go through each beta reader’s feedback. Note their consensus on issues with the story – plot, pacing, world building as well as what they liked. Mark up your revised copy. Put it in the drawer again to rest for a couple of weeks. You may not agree at first with their observations. It is tempting to discard the feedback. When you go through the marked-up MS with the feedback keep what ‘chimes’ with you. If something still ‘clunks’ with you either do nothing with it or ask for clarification from the person who gave it. It maybe they have mis-understood something or you have not written a scene or plot point clearly.
  7. By this stage you should have a robust MS but hold back the hare inside you. Go through the MS once more (or twice) Eliminate all the ‘weasel words.’ ‘Weasel words’ are weak works i.e. adjectives, ‘glue words such as, but, just so, very. Most grammar checkers have a faculty that can help you with this.
  8. Put the new revised draft back in the drawer once more. Go off and write something else. Start working on your submission package and submission list. When ready return to the MS. Do the tweaks you need to do.

What you decide to do from this point is up to you. You can start submitting to agents and publishers, get a professional editorial assessment carried out to ensure it is ready to go out for submission or you may decide to self-publish.  

Whatever you decide you will have a MS that supersedes the original version you started with, you will have grown as a writer and the next 1st draft will benefit from what you have learnt.

Happy Writing.

Sheelagh has been writing since she could hold a pen. Her novels weave together suspenseful plots with exploring how people find their inner worth and place in the world. When not writing novels, she freelances for radio, magazines, and anthologies for a wide range of genres. Her gothic horror story Little Redd Cupcake with be published by Wild Ink in the Anthology Penny Dreadful later this year.

Social media links:

www.sheelaghaston.com

X @aston_sheelagh

 Facebook: https://www.facebook.com/sheelagh.aston.9

The Art of Writing a Book Blurb

The Art of Writing a Book Blurb

There often comes a point during the publishing process in which you will be asked to write a #BookBlurb. Now, don’t start panicking just yet. You’ve been doing this for years (even if you didn’t know it). 

Everytime a friend asks you about a movie and you give them the quick rundown– the main character and all the exciting parts. Or when someone asks you about a book you just read, again, you can quickly tell them the theme, characters and what happened. 

THAT is a blurb! In 150 to 300 words, you were able to quickly pitch the story. 

The heart of the book blurb is its ability to capture the attention of a reader who is scrolling the latest releases online. And as an author, one of your goals should be to master the art of writing an eye-catching book blurb. One that will get your potential audience to stop scrolling and pay attention.  

We’ve condensed the steps down into their simplest terms. Because if you over complicate a book blurb, you’ll lose the reader’s attention. 

First, you’re going to hook the reader, by writing down a few sentences to set the scene and the tone. Perhaps two strangers meet in the night and fall madly in love. 

Second, you need to tell us about the main characters. Who are these strangers and what about them is so special? 

Last, you want to ramp up and describe the conflict! When tragedy strikes and our strangers turned lovers are forced apart, they must fight for everything they believe in. 

Now, sometimes it is easier to see something in action, before trying to do it on your own. So take a few moments and check out this perfectly executed 149 word book blurb for The Bone Below, a dark fantasy by Sylwia Koziel. Releasing with Conquest Publishing in April 2024. 

Nelka, born to a small village in Nidora, meets Kazimir, a passing traveler. Each time Nelka leaves her cottage, she seems to bump into this stranger who teases her relentlessly, and ignites feelings she wasn’t prepared for. 

When Nelka’s sister becomes ill, Nelka leaves the safety of her village, and Kazimir, to find a cure.  As trouble becomes imminent, Nelka is taken prisoner and held hostage by the foreign King and Queen. Their son and soon to be King, Prince Andrius, has plans and Nelka is exactly what he needs to set them into motion. 

Each day Nelka spends in the castle with Prince Andrius brings her closer to a truth she didn’t know had been hidden, while pushing her farther from the village farmer of her past.

The Bone Below is a journey of self-discovery, first love, and learning about one’s place in a vast world.

If you enjoyed learning about writing a book blurb and reading our example, go ahead and read some of the other amazing book blurbs at Conquest Publishing and Wild Ink Publishing. Then, take the time to write a book blurb for your own book! Even if you’re still #Querying or in the editing phase or just starting out, having a quick blurb to tell your family and friends will be highly rewarding. 

Cheers!

The Infinitely Awesome J.K. Raymond

Today we have the chance to hear from our very own J.K. Raymond… the author of Infinite Mass, Wild Ink Publishing’s most recent YA/NA title (available wherever books are sold). J.K. was kind enough to sit down with S.E. Reed to share her thoughts, dreams, and journey to becoming one of our rising stars!

Make sure you check out all the fun she has on TikTok and hang out with her and the other WIP authors on the #writingcommunity on X.

J.K., thanks so much for taking the time to be interviewed today! Can you tell us a little about yourself?

Thank you so much for having me! Well, I’m a midwestern girl from a small town and I never moved too far away, as a matter of fact I can get to my old high school in about 15 minutes. I’m a momma’s girl and never could stray too far from her. But I did move to the big city of St. Louis for college and my eyes, ears and senses were overwhelmed and I fell in love with everything about it. I graduated college but never taught the art I went there to learn to teach and for lack of a job I started bartending in a pub district famous for its blues music and home to the second biggest Mardi Gras celebration in the country. That moment in time is the place of fondness that settled so deep in my heart that it created a sort of magic that I stirred into my book Infinite Mass.  My bartending days long behind me, I’ve been happily married for twenty years to an amazing husband with two amazing sons who all keep me laughing every single day! And I would be shunned by my fur babies if I didn’t name drop Lollie, TukTuk and RueRue, our own personal grumble of pugs. 

Thanks so much for sharing about yourself and your life! So, what type of material do you usually write?

Before I ever dreamed of being a writer it started simple. With a black journal that had my zodiac sign on the cover (Sagittarius, btw). I saw it in a little bookstore and my mom bought it for me. We didn’t have a lot of money, but she must have seen something in my eyes because without asking for it, she bought it for me! I was so grateful. It was that journal that started me on a path of venting my emotions, raw and without any other purpose than to write it all out. My father had died the year before and without even knowing something called therapy existed, my mother was the next best thing, a place to put all the rage and heartache my new world held.  At some point it started becoming more of an art, with poems and flash fiction images of my life. I always thought I might have a book in me somewhere, but it didn’t manifest until my early forties. From there, a few hours at a time, my first book was born and here we are.

We are dying to know, what does your writing and revision process look like? 

Without any advanced writing courses, I wrote what I knew, which was creating a picture from nothing, pulling from my unused art degree. I tackled each paragraph individually until I bent it to my will, doing my best to make sure each reader could see it in their mind easily without having to try. The process was arduous, but it was all I knew and after a while I got better and it took less and less time for me to trust my words. But I’m definitely a pantser! Beside a few weeks of research into the world I want to create, the rest is written by the characters themselves, I just follow where they want to go. They make questionable choices and often don’t show up for work, muses, what are ya gonna do right?

So,  what is your favorite part about being a writer?

When my writing becomes so clear it can paint images in the minds of others.  And the only real way to know that is reading reviews and talking to people who’ve read the book. Then there’s this moment when you know undoubtedly that the reader picked up what you laid down. But better still they enjoyed it.

What advice do you have for debut authors?

Stay the course and keep your butt in the chair. Pick a time that is writing time and don’t skip it unless the house is on fire. If the muses don’t come then blog, journal, research, but write for the allotted period of time you’ve set. If you do that eventually you will have a book in your hands.  And to debut authors, learn everything you can about marketing your book, but also chill out, it takes time for the word to spread about your book. A very smart person recently told me it’s like a snowball effect. Do the marketing but don’t sweat that the results aren’t instantaneous.

If you loved getting to know J.K. as much as we did, make sure to follow her in all the places! She’s bound to be up to something fabulous.

Episode Seven: An Interview with Emily St. Marie about the Magical Muse Library

Episode Seven: An Interview with Emily St. Marie about the Magical Muse Library

In this episode, Abigail sits down with Emily St. Marie, illustrator / author, to discuss the Magical Muse Library.

You can find Calliope’s Collection of Magical Mayhem here.

You can find Ourania’s Orrery of Imagination here.

To learn more about Emily St. Marie, visit her website.

Episode Six: An Interview with S.E. Reed, author of “My Heart is Hurting” and Andrea Myers and Tanya Pearrell of She’s Somebody’s Daughter. A novel representation of what happens when a community comes together to help an at-risk teen from trafficking and exploitation.

Episode Six: An Interview with S.E. Reed, author of “My Heart is Hurting” and Andrea Myers and Tanya Pearrell of She’s Somebody’s Daughter. A novel representation of what happens when a community comes together to help an at-risk teen from trafficking and exploitation.

Abby interviewed S.E. Reed, author of “My Heart is Hurting,” and Andrea Myers and Tanya Pearrell of She’s Somebody’s Daughter. This anti-trafficking non-profit exists to erase the lines of separation that isolates those affected by sexual exploitation. We discuss “My Heart is Hurting” and how communities can come together to help a teen at risk of trafficking and exploitation.

You can purchase “My Heart is Hurting” here


To learn more about S.E. Reed, visit her website: www.writingwithreed.com

You can also visit her Wild Ink Publishing author page: wild-ink-publishing.com/s-e-reed

To know more about She’s Somebody’s Daughter to learn ways you can help victims and survivors of sex trafficking and exploitation visit their website: www.shessomebodysdaughter.org

If you are in the central PA region and would like She’s Somebody’s Daughter to come into your organization or school to do a talk about trafficking reach out through their events page: www.shessomebodysdaughter.org/host-an-event

To learn more about trafficking visit the Polaris Project: polarisproject.org

Episode Five: Plotting, Pantsing, Outlining! Oh My!

Episode Five: Plotting, Pantsing, Outlining! Oh My!

In this episode, Brittany and Abby talk about writing as busy moms. They also talk about plot structure, and how to make the most of your story’s plot. Then they tell us how they outline their books, discussing the pros and cons of plotting and pantsing.

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