Tag: poetry

Meet Maria James-Thiaw, a WIP Poet

Meet Maria James-Thiaw, a WIP Poet

By Emily Groff

How do you decide to become a poet? For Maria James-Thiaw, it was easy. She has known she was a poet since the age of four–it only took her learning the alphabet to string words together to make beautiful lyrical pieces. By the age of seven, she had gone to share her poems on her father’s TV show, making herself and her work known. She has since become an award-winning poet, performer, and playwright.

Maria James-Thiaw performs and writes to seek justice. With her Reclaim Artist Collective, she is working hard to bring her American Griot Project programming to marginalized communities. She aims her goals high and never plans on abandoning them. Learn more about Maria James-Thiaw and her poetic journey in this interview.  

When did you first know you wanted to start writing? What got you interested?

    I decided to be a poet when I was 4. Of course, I didn’t know how to write, I barely knew the alphabet. I saw my father reading his poetry to others, and I decided that when I learned my letters, I would make up poems. I wrote my first collection of poems at the age of 7 and won the Seattle Pacific University Young Writers’ Conference.

    Tell me about your poetry book: Count Each Breath.

      A healthcare system built on bias and inequity, a system of policing that snatches our sons & daughters from our arms, and a pandemic painting a target on our backs–this is 2020 through the eyes of a black woman with chronic illness. If you’ve ever been dismissed, ignored, suspected, or accused by a healthcare provider, you will relate to these verses.

      Why should readers read your book? What is your target reader for each book?

        If you’ve ever been dismissed, ignored, suspected, or accused by a healthcare provider, you will relate to these verses. Women of color and mostly women but anyone dealing with autoimmune diseases can relate to this. One reviewer said this would be the most important book you’d read this year. I believe that is because people have been struggling to understand what it means to be antiracist and what other groups go through. They are trying to connect despite our differences. Books like mine help folks feel connected.

        What were you most excited about with the release of Count Each Breath? What did you want your readers to get out of it?

          I want them to understand that they were not alone. I also want them to be aware of healthcare disparities and some of the challenges black women faced during the pandemic and continue to face.

          How do you get the idea to write these poetry collections?

            Unlike a novel, you don’t necessarily decide to write a poetry book and write it from beginning to end. As we went through the shutdown, the racial uprising, the chaotic presidency, QAnon and all the idiocy on the Right, I wrote poems. I don’t think I decided that I had enough for a collection until the end of the year. Then I put it in order.

            Is there a common theme that you tend to write about? Why that specific theme? What works have influenced this?

              I tend to write in social justice and cultural themes. My favorite poets include Patricia Smith, Langston Hughes, Lucille Clifton, Maya Angelou, Nikki Giovanni, and Sonia Sanchez, among others. 

              What is your writing process like? Do you have any particular tips, methods, or writing strategies that help you?

                I teach Creative Writing, and I have a lot to offer individuals who take my classes and workshops. I think if you want to write, just do it. Don’t ask permission or wait. You don’t know how much time you have. Just do it.

                When I write choreopoems, I first conduct oral history, then save that story, relisten, and write it in poetic form. I weave the poems together to make a cohesive story. I call this historiographic poetics. My first topic was women who remember the Jim Crow era. This choreopoem was called “Reclaiming My Time: An American Griot Project.”

                You do a lot of public speaking. Were you ever scared to speak publicly, or did you find public speaking to be the best way to make a change and share your work?

                  I’ve always been comfortable on stage. My dad, Richard C James III, first put me on his TV show, “Over The Back Yard Fence” to read my poetry when I was 7 years old. In college I recited poetry during a big cultural festival we had and got a standing ovation. I was hooked. When I was 18 my dad had me read poetry from my chapbook, Windows to the Soul for the state House of Representatives. I got a standing ovation that day as well. I have learned techniques and tips along the way that make my readings and speaking better and more engaging for audiences.

                  Great readings sell books. When I share my book, people buy books from me. Some folks will listen to a reading even though they won’t read poetry themselves. It reaches a broader audience.

                  You are the president of Reclaim Arts. What does this position look like for you and why is this position important to you?

                    I founded Reclaim Arts LLC as a means of getting all of the artistic things I do under one umbrella. I produce plays with community partners and sponsors, I conduct the American Griot programs for groups of students, teaching them about oral communication and writing. I also promote and sell my published books. The newest part of Reclaim Arts is “The Promenade.” Through the Promenade (A nod to a poem I wrote for HairStory: Reclaiming Our Crown), I sell ancestral arts from West Africa including masks, paintings, statues, sculptures, and wearable art. I acquired much of the inventory from my late father, Richard James III who passed away in November. The Ancestors are an important piece of the plays I’ve written and so I feel like it just makes sense to bring them under the Reclaim Arts LLC umbrella. It also helps my mother as she downsizes and navigates her new reality.

                    You have a choreopoem titled Hair Story, which is a play written in poetic verse that got article recognition. What was it like writing that? Why did you choose to write it as a play? How did it feel to get article recognition?  

                      We actually got a lot of media coverage. We were on the news before and after the show. We were covered by the Burg and had a review in Broadway World. That was very exciting. It helped with marketing and I felt good about the compliments given by the reviewer.

                      Hairstory: Reclaiming Our Crown was the second chorepoem In the American Griot Project. In this project I write poems in response to oral history interviews. The topic for HairStory was African textured hair discrimination. After gathering the stories, I translate them into poetry and then I weave the poems into a cohesive story.

                      Tell us more about you–give us a fun fact about yourself!

                        I’m a mother of two boys on the autism spectrum. They’re brilliant and they’ve taught me a lot. I am writing a choreopoem about parents of color with kids on the spectrum. I’m hoping to have it ready for the Harrisburg Fringe Festival in 2026.

                        To learn more about Maria James-Thiaw, visit her website, https://mariathepoet.com/.

                        Getting to Know Wild Ink Author Melissa R. Mendelson

                        Getting to Know Wild Ink Author Melissa R. Mendelson

                        By Emily Groff

                        We write because there is nothing else that touches our souls or our hearts, the way the written word does. Words of every language are printed on paper and are grasped by millions around the world.  We write what we feel, and we authors can only hope it connects with others and helps them think, cry, and mend. No matter how much or how little we write–one word, one sentence– we are writers.

                        Author Melissa R. Mendelson writes because she loves it. She writes because she can express herself and her emotions. She writes to become the most vulnerable version of herself that she can be. Although Mendelson works as a full-time Administrative Assistant for the State of NY, she writes when she comes home from work and spends her weekends with pen and paper in hand. Working as an Administrative Assistant is tiring, forcing her writing after work to be brief, but it is on the weekends that she saves her energy and writes, entering into another world of her own.

                        Mendelson has had numerous stories and poems published. Our favorites, UnCensored Ink: A Banned Book Inspired Anthology; Ourania’s Orrey of Imagination; I’m Not The Villain, I’m Misunderstood; Calliope’s Collection of Mystical Mayhem. While all these publications draw us in, we are excited about Stories Written on Covid Walls, especially. Meet Melissa R. Mendelson and her new short story collection, Stories Written on Covid Walls.  

                        (Picture of Stories Written on Covid Walls)

                        1. Tell us what your book, Stories Written on Covid Walls, is about.

                        During the pandemic, when I wasn’t writing poetry, I was writing short stories involving the pandemic that ranged from dystopian to drama, and touched on a lot of topics, including family, loss, depression, and anger.

                        2. What made you want to write in poetry? Do you find poetry more compelling?

                        Writing, for me, is how I express my emotions, how I let them out. A lot was going on in 2020 with the pandemic with my infertility, and my family. If it wasn’t for writing, I don’t know how I would express how I really feel inside.

                        3. How do you get the idea to write these books/poetry collections?

                        During the pandemic and my infertility, I needed a way to cope, so my way of coping was writing both poetry and short stories, switching back and forth and back and forth depending on how I felt and what was going on in my mind.

                        4. Is there a common theme or genre that you tend to write in? Why that specific theme or genre?

                        I’ve always leaned toward Dystopian, and it’s fitting with everything going on right now. I don’t believe in happy endings, and when I pay attention to what is going on around me, I see the dark side of it.

                        5. When did you first begin writing and what got you interested in writing?

                        I had two great seventh grade teachers that believed I was going to be this talented writer, and it took some time for me to see that.  But in high school when I was dealing with family issues and bullying at school, I buried myself in my notebooks.  I was writing short stories like Lizardian and Porcelain and I was writing really dark poetry.  Luckily, my poetry is not that dark anymore, but some of my stories are.

                        6. What is your writing process like? Do you have any particular tips, methods, or writing strategies that help you?

                        I try to budget my time, especially in the evenings and weekends.  If my energy is low, then I aim to do small projects, work on ten pages, maybe write a page or two, and get myself going.

                        7. Tell us more about you!

                        I love taking pictures.  Other than being an author and poet, I am a photographer, and at some point, after I complete some projects, I would love to focus on that and try to get my pictures out there.  Right now, I use a lot of them for my website and match them to my stories and poetry.

                        To learn more about Melissa R. Mendelson, visit her website: https://melissamendelson.com/

                        Reading Through the Seasons

                        Reading Through the Seasons

                        By Emily Groff

                        Do you love reading? Do you need help deciding what book to read off your long TBR list? Seasonal reading may be the right fit for you. What is more fun than reading books that fit with the season you are in? So slather on the sun block, put on your shades, and buckle in to plan your reading for the next year.

                        Why should you read seasonally?

                        Reading seasonally will add richness to your reading experience. It allows books to transport you into each new season. Feel more immersed in your reading by experiencing the reality of nature with the imagination of your books. As you look forward to each season change, you get to look forward to each new seasonal book.

                        Seasonal reading allows you to have variety in what you read, both in authors and in genre. Broaden your horizons and dive into each new world that the pool of literature gives. 

                        What books should you read?

                        Conquest and Wild Ink Publishing offer a variety of books that are perfect for each season.

                        For some, Fall is about pumpkin spice, chai, sweater weather, and the dropping of autumn leaves. For others, Fall is the magic, spells, mythical creatures, death, and mystery.

                        If you are looking for the magic and spells that is Fall these are your perfect picks:

                        Jinny Buffett’s father is dead. She is trying to start a new life: break from the loneliness that consumes her, but her mother is spiraling out of control and threatens her entire existence. It is her ancestors who arrive in a mist of magic, bringing the swamp and hope with them that come to save Jinny Buffett.

                        Callie Aigean drove thirty-six hours, carrying thirty-six extra pounds on her plus-size frame, staring down her 36th birthday- in less than thirty-six weeks. That’s the day she’s due to make her magical ascension into a full witch and take her place among the elite spellcasting community of Blue Crab Bay.

                        If you are looking for the death and mystery of Fall, read these books:

                        Grace Everly is not friends with her next door neighbor Gloria Sanchez. So when Gloria goes missing, and the only clue leads back to Grace, tensions run high! Seth, Grace’s boyfriend, goes missing, putting an even bigger target on her–and she starts experiencing stress-induced flashbacks of a kidnapping scene right out of some campy horror flick. Armed with new clues, Grace and her friends race against time to find Gloria and Seth, before the rotten-faced man from her memories turns Richmond Hill into a real life horror movie.

                        Ember Wildes comes from a family of witches. After the death of her mother, it was the right time to start a new life and learn more about the craft that her grandmother had taught her as a child. But a dark evil has befallen the town, leaving the bodies of murdered women on its shores.  After settling in town, Ember learns of these horrible murders and quickly finds herself at the center of the mystery.

                        If you want to read about mythical creatures, these are your perfect Fall picks:

                        Olivia Beckett has lived through thousands of lifetimes, dispatching miscreant supernatural creatures alongside her sisters as the mythological trio of Furies. Memories of her past lives begin to appear and haunt her, and she starts questioning everything she thought she knew about her life and her duty. In the midst of a brewing war between the factions of Creatures, Olivia goes against all the rules and falls in love with a human, only to realize he may be connected to her mysterious past. Can she have it all, or will she have to make the ultimate sacrifice in order to stop the war?

                        Caiden is a 200 year old vampire who has been dropped into a walled-off prison city for the world’s fantasy creatures. In his time there he will work with a courageous leader of rag tag elves, an ambitious warrior vampire, street-wise goblins, a hapless halfling, and finally a young and headstrong vampire girl called Alma.

                        After you’ve finished these fall reads, Winter will be just around the corner. Winter is full of snow, love, and holiday adventures. Here are our Winter picks:

                        After being roped into spending Christmas with her best friends and her alluring ex, Thando finds herself questioning her holiday spirit. For Jimmy Warner, Christmas means cold beers and comfort food, but reuniting with the captivating, yet prickly, Thando ignites memories of a fiery weekend they once shared. Pretty Unexpected is a Christmas romance novella weaved with drama, friendship, and wrapped in a touch of holiday magic.

                        The cabin is heating up in this romantic comedy as a pro-athlete and corporate marketer dodge the tabloids and save a ski lodge. Professional athlete Juniper Hart was forced into retirement after a permanent injury. He acquired a failed Colorado ski lodge. Rachel Friedman looking for a raise begins working at the resort and begins to wonder if this was the right choice. Rachel needs to thaw Juniper’s icy heart so they can work together to save the lodge.

                        After the holidays, warmth seeps in and so begins Spring. Spring gives warmth of love and new beginnings. Any book can be read in Spring, but here is our choice of a Spring book:

                        Set in 1890s New York, Elijah Jameson inherits a steel fortune, a fancy townhouse, and a free pass to enter New York City high society. While he doesn’t want this, he needs the position to give his sister the best life. Isabella Marin is a pushy and stubborn socialite who wants nothing more than to be far away from the social season. Instead of finding a suitable husband, she is locked in verbal sparring matches with Elijah Jameson, the boy she left in another life. No matter how much she likes Elijah, Isabella knows they can never be together. If he knew what she’d done, he would never look at her the same. Even though Elijah has fallen for Isabella, society will never see them as equals.

                        Adding a little more warmth into your life, here are our Summer picks:

                        Sixteen-year-old Ivey Des Jardins knows her summer is going to suck. Rather than working with her friends at a local Florida boutique, she’s been sent to Walloon Lake, Michigan, to work at her Aunt Lauren’s summer shop where she meets her handsome coworker, Rafe Torres,  and discovers a devastating family secret. Rafe has his own secrets that threaten his new romance with Ivey. With her Aunt Lauren grief-stricken, Ivey takes on the summer shop and sets out to solve her family’s mystery. But there are people who don’t want this mystery solved, and they’re on Ivey’s trail.

                        Getting to Know Wild Ink Author A.M. Hayden

                        Getting to Know Wild Ink Author A.M. Hayden

                        By Emily Groff,
                        WIP Literary Analyst

                        A.M Hayden does it all. To her students at Sinclair College she is a professor. To her family she is a mother and wife. To her home community she is a farmer. To us, she is an author.

                        “Naps are the glue that holds my life together,” said Hayden.

                        Hayden has previously published a full-length collection of poems titled American Saunter: Poems of the U.S. and had begun to work on a second full-length collection depicting her travels in Europe. This collection came to a halt after a family visit to South Carolina. This is where How to Tie Tobacco began.

                        1. Tell us what How to Tie Tobacco is about.

                        During my trip to South Carolina, I was hearing all the stories told, and I just couldn’t stop thinking about them, and knew there were poems in them. I started taking notes on my phone on the drive back, and then when we got home, I wrote a draft for How to Tie Tobacco within 3 weeks. It’s the fastest I’ve ever written something.  It just all felt like it fell out, just coursed right through me, in several forms of poetry and prose, all inspired by stories, photographs, and handwritten notes from my southern grandmothers, great-grandmothers, and other matriarchs of the family.  Hearing all their humorous tales, life’s trials and tribulations, I was in awe of the strength the women in my family had/have.

                        2.  What made you want to write in poetry? Do you find poetry more compelling?

                        I have always loved to write poetry, ever since I was a kid.  I think watching Dead Poets Society at around 11 years old not only made me want to be a teacher, but also solidified my love of poetry and gave me the passion for it. 

                        Through poetry I feel I can reach further, stretch beyond the horizon, get to those spaces in between, expressing these connections and emotions with a different kind of freedom from academic teaching and writing.  The forms, style, and subject matter of my poems vary. However, they share a passionate commitment to observe, to sit still and listen, to learn, to make connections, and to express what it is to breathe, live, and engage with life in all its diverse formations, to cultivate a new, widened perspective of the natural world and the diverse people in living in it.   Poetry is pure expression and allows me to create and contribute in a way nothing else quite does. 

                        3. How do you get the idea to write these poetry collections?

                        I call this the “Antenna.” I think listening/paying attention for the spark/imagery/idea is such an important part of it. And for this, we’ve got to quiet some other things down sometimes, which can be difficult.  So much of my poetry often comes to me while I’m driving or right before bed.  I love embracing the entire process, from this “receiving” or “collecting” I sometimes call it, then the piecing together, the story building, finding the right form/format/container, the polishing/editing, and finally, the reading out loud and/or performing/publishing the piece. I feel like there’s so much sacred energy and fulfillment in both the culmination, but truly, also the magic of the process. I love how Mary Oliver says writing is two parts: 1) Magic Spirit Experience 2)The Practice/Craft. I really agree with this.

                        As far as content, the focus for me the last few years has been getting into writing all the traveling I’ve done. But, I also love to write about nature and my dog and pretty much everything! I love stories and getting into the marrow/authentic mojo of someone’s experience.

                        4. Is there a common theme or genre that you tend to write in?

                        Definitely the “travelogue” style so far, but I will be expanding as I’ve got a lot of books in me on a lot of different subjects. The courses I teach — Philosophy, World Religions, Environmental Ethics, and Native Studies —also significantly influence my work. I enjoy rooting in these themes when writing, engaging respectfully with different views, examining our assumptions, cultivating mindfulness of history, sacred space, ritual, ceremony, architecture, music, art, etc., ultimately understanding each other, and ourselves, better.

                        5. When did you first begin writing, and what got you interested in writing?

                        I received a diary at Christmas when I was five (from one of the southern aunts, serendipitously enough!) and that’s when I began writing…and never stopped.  Also, I LOVED my little rural library. It was just a little old building with green carpet, very 70s, and had a musty, old book smell, which I loved and I remember getting so excited to pick out a few books for each weekend, sometimes reading my favorites over and over again, a lot of Beverly Cleary and Judy Blume.

                        6. What is your writing process like? Do you have any particular tips, methods or writing strategies that help you?

                        • Listen for and pay attention to inspiration
                        • Trust your instincts/intuition with what comes to you
                        • Make room in your brain for the writing and editing
                        • Write, send the piece out, let it go. Rinse, repeat.
                        • Do not give up!
                        • Be kind and open to rejection or feedback.
                        • Don’t be afraid to write in form.
                        • Write down your ideas all the time–even if on a napkin!
                        • Allow for stillness and observation–don’t miss the inspiration!

                        7. Tell us a fun fact about you!

                        I have many rescues, including rescue pigs, goats, chickens, two dogs and two cats.  Our two dogs are both special needs – one is completely blind (has no eyes) and only has three legs and the other is completely deaf and mostly blind. They are both amazing dogs! I also REALLY love El Caminoes and dream of having one someday.

                        Purchase How to Tie Tobacco here.

                        Epicurus On Writing

                        Epicurus On Writing

                        By Anthony David Vernon

                        Epicurus is perhaps one of the most misunderstood philosophers and writers. He was a man of simple pleasure mistaken for a hedonist, and his writing resume is usually reduced to one work, The Art of Happiness. This is partly because the vast majority of his work did not survive, but “Estimates claim that Epicurus wrote over 300 works during his lifetime.”[1] Nonetheless, this all has led to Epicurus being an underestimated writer. But, Epicurus, in the fragments we have from him, presents quite useful pieces of writing advice.

                        Epicurus speaks to his writing, stating, “I write this not for the many, but for you; indeed, each of us is enough of an audience for the other.”[2] Epicurus points out that writing is always between the writer and a single reader. Too often, writers focus on a potential mass of readers instead of focusing on the fact that is is always one reader engaging with a work of writing. Even if a work of writing is being read aloud to a crowd, each reader is having a personal engagement with a given piece. When writing, imagine that there will only be one reader of your work, this will allow your writing to be more intimate. For Epicurus, writers are too concerned with having mass appeal and so lose out on emotionality. This is not to say that writing for one person cannot appeal to the many, quite the opposite, personal works possess personality.

                        The above quote from Epicurus also teaches another writing lesson: a writer should be happy that they have readers at all instead of being worried that they do not have enough readers. As the proverb sometimes goes, expectation is the thief of joy, and writers often suffer from expectation. Having a quantity of readership expectations can kill the writing process because it shifts the writer away from the joyful intimacy of writing into mass expectations that can never be actualized. A writer can never fully know who their readers will be or how their writing will be interpreted. Thus, a writer at any level should write with the satisfaction of knowing that they even have the potential of having a single reader.  

                        Epicurus also states, “Writing presents no difficulties to those who do not aim at a constantly changing standard.”[3] What Epicurus means by this is many-fold, but for one, Epicurus is advising writers not to worry about writing trends. For Epicurus, it is more important for a writer to hone in on their style rather than the style of the day. If one writes as themselves, they will not struggle to be as themselves. Meanwhile, it is a struggle to fake a writing style that is not one’s own to wear sheep’s clothing.

                        In addition, for Epicurus, writing should be an act of personal ease, not an uphill battle, but instead a demonstration of a self-constant standard. This means that writers should not set shifting goals but instead aim for one simple goal. What this goal is depends on the writer. However, a writer should pick a goal that at least rarely shifts and ideally is a constant.

                        Likely, a great deal of writing wisdom was lost among Epicurs’ missing works. Still, what we hold from Epicurus is extremely limited, it holds depth both mentioned and not touched upon. This is part of the greatness of Epicurus; a writer can dig for inexhaustible writing advice from Epicurs with examination.


                        [1] https://www.thecollector.com/epicurus-on-the-values-of-family-and-friendship/

                        [2] https://marxists.architexturez.net/archive/marx/works/1839/notebook/ch05.htm

                        [3] https://www.attalus.org/translate/epicurus.html

                        Written by Anthony David Vernon

                        Author’s Bio

                        Anthony David Vernon mainly writes poetry and philosophical articles when he is not walking trails.

                        Education: 

                        Oklahoma State University MFA

                        Publications & Prizes

                        Anthology: 

                        Faery Flying: The Art of Self Care (Fae Corps Publishing, 2023)

                        Book: 

                        The Assumption Of Death (Alien Buddha Press, 2022)

                        Journals: 

                        Apocalypse Confidential

                        Beautiful Space: A Journal of Mind, Art and Poetry

                        Brief Wilderness

                        Conceptions Southwest

                        Poetry Super Highway

                        Synchronized Chaos

                        The Drabble

                        The Literary Yard

                        Unlikely Stories

                        ZiN Daily

                        Prizes won: 

                        Pushcart Prize Nominee 2022 for “Guilt is a Pleasure” nominated by Alien Buddha Press

                        Spooky Season is Upon Us: An Interview with Greg Jones

                        Spooky Season is Upon Us: An Interview with Greg Jones

                        by Bruce Buchanan

                        Not every good fright comes from phonebook-length novels. Horror poetry can deliver goosebumps and jump scares in just a few words.

                        Take “Meet Me in the Flames,” an upcoming collection of dark poetry written by poet/author Greg Jones. In this Wild Ink Publishing collection, Jones not only taps into inspiration from such legendary horror authors as Edgar Allen Poe, H.P. Lovecraft, and Clive Barker, but he also draws upon the movies, comic books, music, and TV shows of his childhood.

                        The result is a tantalizingly terrifying book of poems.

                        1. Tell me about the stories and art that inspired you (or maybe gave you a scare!) growing up in the ’80s. What types of books/art/movies/music, etc. were you into?

                        I was fortunate enough to have parents that weren’t too strict on the content I was consuming. In this day and age, maybe social services would have been involved, but this was the 80’s. Anything went.

                        We were the first family to have a VHS player so our house was very popular. I grew up with John Carpenter, Wes Craven, early Spielberg and Lucas. I still remember seeing the second Friday the 13th at the drive in and having my dad move the car when I went to the bathroom. Saw Jaws when I was 7. The Thing blew me away. I think The Howling is the best werewolf movie ever made. I was seven when Star Wars came out. Ten for Empire. What an absolute perfect time to be a little boy.

                        The comics that were being published were incredible. Springsteen was on the radio. I would tape Spider-Man cartoons and Dr. Demento shows on my Kmart cassette recorder and listen to them until they wore out. My first concert was Weird Al.

                        I am still basically 12 years old. You ask me what inspired me back then?  Everything was an inspiration.

                        2. Why do people love horror so much? What is the appeal of a well-written scary poem or story, in your opinion?

                        What do we do right after we get scared and scream? We laugh. It’s a release. I think that is a big part of it . People like being scared and taken out of their comfort zones. They like being titillated. It’s fun.

                        If you can write a scene where people have to turn away or put their book down and turn off the light, you have achieved something. If you can elicit an emotional response like that with just the words you have written, not with images and sound and effects, but just words? That’s amazing.

                        I love reading something and then going back and reading it again because I couldn’t believe it the first time around. When you say “wait! Did I just read that?” And do a double take … that is a gift. That is what I strive for.

                        I posted a poem online a while back and someone commented simply” Wow”. I coasted on that one-word review for quite a while.

                        3. You recently wrote about meeting legendary author Clive Barker. What was that like, and what did it mean to you?

                        That was definitely a highlight reel moment for me. His appearance announcement came within minutes of me getting my first proof of cover art for “Meet Me in the Flames” so it seemed like fate. I have always been a big believer in giving credit where credit is due and if it weren’t for his writing and my discovering him at such a pivotal time in my life, I might not have ever had the desire to do this.

                        Books that were being written before he came on the scene were pretty tame and somewhat formulaic. I enjoyed them at the time, but his stories were so much richer and more imaginative and really kicked the door open for me as to what could be done in the genre.

                        Meeting him was a full circle moment for me. I know I will probably never have the chance to see him again but knowing he has samples of my writing and that we were able to have that interaction 20 years after we first met means the world to me.

                        When my collection is published, I plan on sending him a copy. Just knowing that my words might be sitting on his shelf somewhere makes all of this worthwhile.

                        4. What is your writing process like? Is there a certain place or time in which you like to write? And is your process different for poetry versus prose?

                        I’m not sure if I actually have a writing process. I pull inspiration from things I hear or see or phrases and words I come across. Something that may start out as a more tongue in cheek idea may morph into something more disturbing or creepy. It all depends on where my mind takes me. It sounds cliche but it’s the truth. It’s a lot of stream of consciousness type of thing.

                        I have a desk in my basement that I write at or I’ll go to a coffee shop for a few hours but mostly it’s on my phone for convenience sake. There is a list on it of ideas and fragments of ideas and poems that I have gotten to a certain point and may revisit in the future. I don’t discard anything because you never know when a thought might be recommissioned into something you never even imagined when you wrote it.

                        It’s fun to challenge myself to come up with new things or expand ideas into longer pieces. Eventually I would like to rework some of these into short stories to go along with story ideas I already have brewing. I don’t know if I have a novel in me but definitely a short story collection.

                        5. “Meet Me in the Flames” is your first book. What made you decide to do a book of poetry? And how did it come together?

                        I found myself a few years ago recuperating from a torn tendon in my arm and with some free time on my hands. I was into some newer Americana and folk music at the time and started writing songs with the intention of learning the guitar. A few good things came out of that but eventually, like most things, my attention started drifting toward darker material and the horror poems were born.

                        I had a goal to reach 100 poems and if I could hit that and have some content I was proud of I would submit them somewhere as a collection. I googled who was taking submissions and Abby at Wild Ink asked for a sampling since she was looking for a horror title to print. She loved the samples, asked for the rest of the collection and I found out she was interested in publishing them around the beginning of 2024.

                        I’ve been constantly writing and am working towards an even stronger second collection of poetry before trying my hand at some short stories.

                        6. How did you find Wild Ink Publishing on your writing journey?

                        This whole journey has been very surreal. I have heard of the trials and tribulations of getting published but honestly, I was not too keen on going the self-publishing route. I wanted the affirmation that goes with someone reading your work and saying “This is good enough that I want other people to read it. I believe in this.” That is what I have experienced with Wild Ink.

                        I realize how uncommon this is and I am extremely grateful for the opportunity. Everything right down the line has been handled with extreme professionalism and care and the fact that I still feel like this is MY book and it hasn’t been corrupted by someone else’s vision or agenda is the best take away so far. The community of creative people involved have been encouraging and attentive from the very beginning and I hope that other aspiring authors have the opportunity to get their work published in much the same manner.

                        7. I understand you also did the illustrations for this book! That is so cool – how long have you been drawing?

                        For as long as I can remember. I have always been a comic book fan from a very young age and spent my childhood reading, collecting, and drawing as much as humanly possible. I would spend hours hunched over a drawing table or any flat surface really and study techniques and anatomy and storytelling. I am proud to say that I am completely self-taught and everything I know how to do artistically came from those years.

                        I have had aspirations to be a comic artist, but it is a very hard field to break into, especially pre-internet and growing up in the Midwest. I still have a dream to write and draw my own comic and have the story all fleshed out so maybe sometime in the future we will be having a conversation about that.

                        Between the comics, the movies, the music, and the general carefree nature of the world during those decades, it was a hell of a fun way to grow up.

                        Preorder Meet Me in the Flames here: https://www.barnesandnoble.com/w/meet-me-in-the-flames-greg-jones/1145985867?ean=9781958531853

                        Interview by Bruce Buchanan

                        Bruce Buchanan is the communications writer for an international law firm and a former journalist. But he’s been a fan of fantasy and heroic fiction for most of his life. His influences range from the novels of Margaret Weis & Tracy Hickman and Terry Brooks to the Marvel Comics stories of Stan Lee, Jack Kirby, and Steve Ditko. Bruce has short stories appearing in the upcoming Wild Ink Publishing anthologies Tenpenny DreadfulsClio’s Curious Dash Through Time, and UnCensored Ink. He lives in Greensboro, N.C. with his wife, Amy Joyner Buchanan (a blogger and the author of five non-fiction books), and their 17-year-old son, Jackson.

                        A Court of Pen and Pain

                        A Court of Pen and Pain

                        By J.K. Raymond

                        Within the World of Creativity, there are realms that are delegated to each of the arts. Each realm is there to ensure their designated art lives on. In The Realm of Writing, there is one goal. To fill The Library of Knowledge with new works. To ensure success is achieved each potential writer is bestowed special gifts at birth. Three enchanted candles are gifted by the fates, each candle equally important. The Candle of Creativity, The Candle of Passion, and The Candle of Ability. Guaranteeing that muses be drawn by its curious glow, that lurking shadows of half-heartedness be scattered by its brilliance, and that the shades cast by demons of disease be to reduced gradient piles of harmless ash. Thus, ensuring each writer has the best possible chance to add to the knowledge that came before them. But the fates are just as cruel as they are benevolent. 

                        For reasons they will not reveal, the fates also released a curse on a small number of the third candles. Placing them directly in the path of never-ending storms, eternally challenging the enchanted fires atop them. Leaving The cursed Candles of Ability to spit and flicker in a constant battle to glow as bright as the matching pair beside it. Often wavering before fading to black for days, months, or years at a time. Forcing those rendered with it to live out their lives in sporadic shadows it creates. Those born with it left wondering who they could have become and what they could have created if only they were able. Those forced to accept that their third candle, once constant and true, was cursed in their prime, must live out the rest of their days in the shadows of creations they once made, but never will again. Both cursed, both left wondering, “Why?” 

                        In the farthest corner of the realm lies the darkest court. The Court of Pen and Pain. Every member from King and Queen to merchant and peasant are the recipient of an inconstant Candle of Ability. A court cursed. Where demons of disease lurk in the shadows left by the absence of a healthy glow. Stealing breath, sometimes for a moment, a minute, or in the blackest of times, forever. Inflicting pain, sometimes for a second, an hour or sometimes an eternity. They lay in wait and creep up slow. They strike with a titan’s blow or a phantom’s kiss.  

                        Existing in The Realm of Writing means you were born into The World of Creativity. This is a difficult enough calling, even under the best circumstances.  Attempting to wield the pen is a harrowing notion. Success is rare. Hence, the gifts. In The Court of Pen and Pain members exist in a realm where the circumstances are more than harrowing, they are dire. Writers of this court must learn to wield the pen in one hand and the sword in the other.  Fighting demons while weaving tales to enlighten or entertain under impossible conditions. Failure is not an option. Being born into The World of Creativity means you must create. It is a calling, and it is relentless. A call unanswered will tear at your mind, shame your soul, or both until there is little left of either. 

                        No one in The Realm of Writing is guaranteed a place in The Library of Knowledge. The exalted position of Author must be earned. Even writers who deserve to be acknowledged formally will not necessarily make the cut for one reason or another.  Nepotism, bad timing, politics, feuds, or just plain bad luck can leave piles of worthy material unbound and unshelved. The same standards for those with all three candles burning bright, apply to those of The Court of Pen and Pain. Fairness is not guaranteed anywhere in The Realm of Writing. If your work is going to rest bound in leather for all time in The Library of Knowledge, it must be equivalent in quality to the works shelved on either side of it. Exceptions are not made for works written by a body wracked in pain. Slaying demons in the dark while writing work equivalent to those who’ve done nothing of the sort holds no merit here. To be a writer at The Court of Pen and Pain you must be a warrior first and a writer second. To become an Author acknowledged by The Library of Knowledge, you must be both at the same time, and you must be relentless on both fronts. Once you are signed on as an official Author of the Library of Knowledge you belong to it and it belongs to every world, not just The World of Creativity. Author is the most coveted position within one of the most wicked of callings. Now a writer will answer not only creativity’s call but will also answer the call to defend their name. A name now written in permanent ink at the bottom of contracts which have now come into play. Contracts with due dates that do not care if the Author is battling a chimera of diseases. Nor does the chimera of diseases care about the contracted due date, the relentless calling, or defending a good name. The only one who cares is the Author. The days of choosing to write only when the chimera is weakened, perhaps even blessedly knocked out for a few peaceful hours, are over. So, it’s a good thing the fates weren’t done. 

                        All of the Worlds have their complications. Any human, from any world, be it the arts or stems, will undoubtedly face a myriad of overwhelming problems during their lifespan. The fates don’t just play with the humans of The World of Creativity. They are equal opportunity stirrers of the providential pot.  So, to ensure the success of humans and their contributions to their fellow man the fates once again bestowed a gift.  Upon their birth each human in every world is gifted a kernel of willpower. The kernel resides inside the soul of each human. This gift becomes part of the them and bonds with the body and the soul it was placed in. When the body hits a tipping point it trips a switch activating the kernel like a backup generator would when the main source of power is not enough for the load pulling on it. When the switch is flipped a steady stream of willpower flows into the body giving the drained human enough power to overcome the adversity that flipped the switch. The body and soul then continue to draw strength from the additional source until it is no longer needed. When the crisis is over the switch flips again and the additional source of power is cut off. The body and soul reverting back to its natural state.  

                        The body and souls’ ability to flip the switch can start at an early age. Leaving many humans to be described as weak willed or strong willed from the earliest points of their development. Which in some cases is true, but either way is usually determined way too early in the stages of development for it to hold true. In order for the kernel to survive in a soul and body that grows, the kernel was designed to do the same. Sometimes those with weak wills in their youth end up with strong wills at maturity and sometimes vice versa, while for others their willpower will stay constant and true the whole of their lives. What few ever figure out is that while all of this is true, it is also true that willpower cannot be used for an indefinite period of time, well…it was never intended to be able to be used that way. Remember, the fates are as benevolent as they are short sighted. 

                        It turns out the more you use the kernel of willpower the stronger it gets, the stronger it gets the easier it is to tap into. Which is one of the few things that bodes well for those who spend the whole of their lives surrounded by monsters that strike with little to no warning, shredding their bodies and scaring their minds. The constant battle with pain of one kind or another creates a sort of willpower loophole. As you can imagine writing under these circumstances causes the switch to flip pulling on backup power more often and for longer periods of time than was ever intended. And this is how those deemed Author of the Court of Pen and Pain meet their deadlines and defend their good name. When the kernel is pulled on too often it begins to spark. Lighting up the darkness left by the cursed Candle of Ability, replacing it with the power of Sheer Will. And though the loophole exists, just knowing about it and how it’s utilized isn’t enough to harness it. That kind of magic must be earned through battle and strength, patience, and humility. Commitment and dedication. Within the Realm of Writing only the Authors of The Court of Pen and Pain have earned the magic necessary to harness the loophole. A lifetime of pain trained their brains to identify, organize, then isolate chaos. A lifetime of pulling on willpower making it stronger. The mastery of the combination of both has the power to elevate them to a state that would otherwise be impossible to achieve. Fleeting, yes. But for a moment in time a bridge is built between a barely there existence and endless possibilities. Remember, as Miracle Max once said, “Mostly dead is slightly alive.” And so it is, through the magic of sheer will, creativity is born, written, and completed on time by a person who is only mostly dead. Recorded for all time in the Library of Knowledge. Leaving the Authors of the Court of Pen and Pain with their good name and the honor of writing, “The End.”   

                        Before they begin again. 

                        J.K. Raymond received her Bachelor of Arts in 1995 from Fontbonne University where she fell in love with everything in St. Louis-and under it.

                        J.K. also has the most amazing safety net in her tiny world, which

                        selflessly helps her to continually heal. Her husband of twenty years,

                        Matt Houser, her two sons, Aidan and Jace, her mother, JoAnn, and her

                        grumble of pugs, Lollie, RueRue, and TukTuk.

                        Find J.K.’s Book, Infinite Mass, anywhere books are sold online.

                        Total Solar Eclipse of the Heart: Flash Fiction and Poetry

                        Total Solar Eclipse of the Heart: Flash Fiction and Poetry

                        Those That Thunder Takes 

                        Stan Nesbit

                        Beneath its wing I trembled, the beat of my heart a cacophony in my ears. she held me so close, the warmth and grit of its scaly feet clutched around my arms. Her head hung, with an eye turned up towards the heaven in wait. Hours ago she found me, plucked me from my home. 

                        “Where could he be?” my wife’s voice sang in my mind with visions of her stumbling through the grass and wildflowers in bloom. Far above that bird, I stole fleeting glimpses of the sun that dimmed. A vast cosmic mouth, hungrily gulping it down like a plump field rat in the jaws of a snake. As it greedily snatched the sun away, I could hear the faintest of rumbles growing in the gullet of that massive bird. Building eagerly as we watched the sun slip away. 

                        And as night took day, that rumbling turned to a thunderous caw of expectant bliss, deafening all else. All at once, the beat of my heart faded, and so too did the sing-song voice of my wife as the chill set in. It was so cold, a chill that seeped from the deep ache in my chest as my thoughts slipped away, and that horrible cawing fell silent, my body jerked and twitched with each elated nip of that thunderbird’s jaws into me. As sleep took me, I glimpsed upon the sun with slitted eyes, its beauty breaking night once more as I fell into oblivion.


                        The Vampire & The Hunter 

                        Jessica Salina

                        She’d forgotten what the sun felt like.

                        The moon was safe. Even when danger roamed under the cover of shadows where the moon’s light did not reach, she bared her fangs. The moon did not burn against the deathlike pallor of her skin. The moon did not illuminate her secrets, allowing her to drink blood in peace.

                        But when the shy man with golden hair and a smile that brightened up a room found her one night, he did not stake her heart. Instead, he offered a blood bag.

                        As she drank, they sat beneath the moon’s glow. He spoke like birds sang. Sun-kissed, his skin was warm to the touch in a way she hadn’t felt in centuries.

                        With time, she hoped he’d offer her his neck. She dreamed of how warm his blood must be, with all his time in the sun. Its rays seemed to emit from him every time he smiled or laughed. It reminded her of when she was human, when she could emerge during the daylight without risk of burning alive.

                        She’d gotten so used to his warmth that when he lured her away from the shadows and into the day, she almost didn’t realize how the blue sky—so much brighter than she remembered—swallowed her whole. As her vision flashed to white, she almost didn’t realize how the sun that gave him life devoured her own.

                        She’d forgotten what the sun felt like until he came along. And then, she felt nothing at all.


                        Made of Fire and Cheese

                        Melanie Mar

                        I used to look at the sky and wonder out loud,

                        what was beyond the dreamy, blue nothing and its cotton clouds.

                        The moon was of cheese, and the sun was of embers,

                        both engraved in a feeling I long to remember.

                        The stars twinkled their red and blasted their blue,

                        forever feeding the minds in forms of a muse.

                        The night and the day would talk in their codes,

                        but always made sure to light the same North.

                        It’s funny how now that North is hidden in haze,

                        and the stars are nothing but lingering planes.

                        The sun blazes and blinds, leaves fire in its wake,

                        but it seems like it’s almost begging for the pain.

                        The moonlight became for lovers and secrets,

                        likely the one thing that will never breach them.

                        The bare sky is now jarring, but clouds threaten rain,

                        and everyone knows we can’t welcome those stains.

                        Lately I wonder if both can be true.

                        Can the stars wink their greeting while I cry at the moon?

                        And so what if the sun begs things to flee,

                        surely sometimes we can smile up with glee.

                        The blue skies may never reveal what they truly hold,

                        but maybe that mystery is what makes chaos gold.


                        Non-Fiction

                        Ollie Shane

                        There have been eclipses since the beginning of Earth’s ellipsis. I remembered this as I walked out the front yard to see my first one. The southern california weather was normal: blue sky, shaded palm trees, a light breeze. I was here to see the “ish” in normalish–the black blip of the sun and moon together. I remember being told not to look directly at it: the internet would have a field day with our president doing the same. In this moment, I  thought of Orpheus and Eurydice: Hadestown was a year away, so I remembered D’Audelaire’s telling. He couldn’t obey because of what catastrophes it took to get him here. He could not imagine more to come. But now he was in the stars: if he could try, could he see me, with some wonder and dread, seeing the unnatural portends I could in a box that used to hold my possessions and would again?


                        The Full Moon

                        Avery Timmons

                        The yard was bathed in moonlight.

                        He liked nights like these, when everything was still and the full moon perched high in

                        the sky. He would lift his face to the star-speckled sky, just taking in these rare moments of quiet. He had never believed in moon rituals or anything supernatural; his wife always warned him how the full moon brought out strange creatures, but he brushed her off. He had been doing this every month for a long while, and he had never run into werewolves or other beings she

                        adamantly believed in. He never felt anything but recharged after standing under the full moon; it was his safe place.

                        But tonight, he heard a growl.

                        His eyes snapped open. He looked at the tree line at the yard’s edge, staying still as

                        something shiny caught his eye, like two small moons. A coyote, maybe—they didn’t get

                        anything bigger than coyotes around these parts, and while he didn’t want to have a run-in with a coyote, he knew he wouldn’t be meeting anything worse.

                        Right?

                        Another glimmer caught his eye, and his breath caught in his throat. He took a step back, only for his foot to catch on a branch. He collided with the ground, but he barely noticed the pain jolting through his tailbone—not when the moonlight caught a gleaming mouthful of sharp teeth.

                        His fear turned into his wife’s voice in his head as the creature crept closer:

                        Watch out for the werewolves.


                        Solar Eclipse

                        Brianne Córdova

                        A hush falls over the crowd, and newfound darkness cools my skin. 

                        Tiny fingers squeeze my hand. “Mommy, the sun! It’s hiding.” 

                        “Make sure you’re wearing your glasses, or else you’ll end up like me,” I tease. 

                        “I am.” Her small voice pitches in awe. “I wish you could see it, too.” 

                        I smile at her and see galaxies. Her happiness, a supernova, her heart, the sun. In her hands she holds my soul like a black hole, inescapable and infinite in its love. Her laugh is starlight sprinkled in the black, her innocence a comet streaking past. 

                        Fleeting. 

                        And I am suspended in time, a moment of zero gravity before the weight of reality pulls me into its atmosphere and stings the back of my eyes. 

                        These memories are my eclipse, the halo of light breaking through the blackness. Rare. Beautiful. Brief. The smooth contours of the engraving they leave on my heart will be the only witness of their existence, saying, I was there. I held my universe in my palm while she gasped in admiration

                        If only she realized the cosmic wonder she beheld was a shadow of the multitudes within her. 

                        “Don’t worry,” amidst the darkness, I squeeze her hand in return, “I’m not missing a thing.”


                        Shadow Life

                        Rebecca Minelg

                        He slaps the eclipse glasses back on his face and runs outside again. Crescent shadows pepper the back porch as he gazes up, rapt, fingers already shaping the scythe in the sky. He rushes back to the kitchen table, filling another box in his progression study.

                        Were there eclipses when I was a child? Why don’t I remember them? The 3 R’s were more important, apparently. I slide another pair of glasses onto my own face. Maybe we spend our lives trying to give our children the things we never had, but that doesn’t mean we have to live vicariously. We could just live.

                        I study the sky and the shadows at my feet, as fascinated by science as he is in this moment. I shiver as the last wisps of sunlight fade, the birdsong abruptly silenced. A strange wind sweeps across my skin. “Come here, buddy!” I shout as the corona flares. “This is so cool!”

                        He grins at me, then looks skyward. “Yeah, it is!”

                        We stand together until our shadows reappear, growing across the porch and anchoring our feet back to the earth.


                        A Night Under the Stars (in Aunt Laura’s Truck)

                        Bruce Buchanan

                        “That’s the Big Dipper—see? Those stars make the handle, and those are the cup.”

                        Aunt Laura aimed a wrinkled but deceptively strong hand up to the dark, clear sky. “Okay…I think I see it,” I said. It was a fib. I thought the clear, dark sky just looked like a million pinpricks on a giant Lite Brite. I couldn’t make any order or pattern out of it.

                        But that was okay; I wanted to hear what Aunt Laura would say next. 

                        I’d finished first grade a few weeks earlier, and my parents were stuck working late—an occupational hazard for nurse anesthetists. So I spent this Carolina summer night in the bed of my Aunt Laura’s white pick-up truck, looking at stars and listening to her stories under the sweetgum tree.

                        And did she have stories! From thrilling historical adventures to personal accounts of Great Depression hardships to spooky-but-not-too-frightening ghost stories, Aunt Laura kept me entertained with nothing more than a flashlight and her imagination. She told me her sons, who grew up and moved away years earlier, once found Revolutionary War relics in the sprawling soybean field beside her house. And then she held up the Mason jar containing musket balls, metal buttons, and tattered canvas.

                        I snacked on my bowl of dry Froot Loops and soaked up every tale. Then the headlights of my parents’ Chevy Malibu obscured the stars. I knew Mom and Dad were exhausted, but I wish I could’ve stayed for one more story.


                        Mother

                        Greg Jones

                        Mother

                        My sun is a slowly closing eye

                        Her heart rages

                        I imagine her roar

                        calling out to the black emptiness 

                        for eons past

                        and when at last she blinks out,

                        her molten heart turn to ice

                        I will recall fondly her warmth on my face,

                        as I spin round the void,

                        and regret the days I ever shielded her from my eyes.

                        Stare hard , my friends.

                        We will all be blind before long


                        A Cosmic Kiss

                        Julie Krohn

                        The sun, our star, the beacon of light to our world by day.

                        The moon, our satellite, the silver nightlight to our dreams at night.

                        Once in a blue moon, these two meet, just briefly, to dance in the celestial heavens and kiss under the midnight sky. Our little moon. Our giant sun. How impressive are the odds these two could align perfectly from our viewpoint to provide a spectacular cosmic show?

                        In the path of solar eclipse totality, under the bright blue sky, scarce white puffy clouds line the horizon.  Schools are closed, friends gather, and expressways become congested. Tourists book hotels, gas prices increase, and grocery shelves become empty.  We dig out our special solar eclipse safety glasses and sit outside in parks, backyards and even on rooftops to get a glimpse, just a moment in history, when the world goes dark, and these two celestial beings align. 

                        As the air becomes chilled, dark shadows creep over the land.

                        Day meets night. Shadow meets light. 

                        The sky turns black and bright diamond-like sparkles shine from the brilliant stars above.  

                        In the moment of totality, the sun and moon overlap and kiss the midnight sky with a ring of fire.  A meeting of celestial beings. A kiss in the heavens.


                        What If I Can’t Be a Hero?

                        Melissa R. Mendelson

                        I feel like an idiot sitting here by the water and waiting for the solar eclipse.  What stupidity to even dream that when this eclipse comes and goes, that I would become different?  Yet, what if I did change?  Would I change for the better, and if I gained some kind of power, wouldn’t I then become a target, envious by some and feared by others?  I should go inside.  But I can’t.  It’s growing darker, and the water nearby almost speaks to me.  Something is happening.  I feel something, a change, I think.  Please, God, just let me be different.  Give me some kind of ability that I won’t feel helpless every damn day as the world breaks apart around me.  There goes the sun.  There goes the water.  Stillness.  Darkness.  Yet, I remain.


                        Fibonacci Poem: Solar Eclipse

                        LindaAnn LoSchiavo

                        “Don’t
                        look!”
                        they say.

                        Our urge is
                        to seek out the strange —
                        defy beauty’s awful logic.


                        There be Monsters 

                        J.K. Raymond 

                        Facing brightened eyes, 

                        under sunlit skies, 

                        Humans stumbled through the days. 

                        Among cheery smiles, 

                        who passed them by, 

                        with “Hello’s” and “Good day’s”. 

                        There be monsters in the sun. 

                        Pretenders that thrive in the light. 

                        With pick pocket lies and alibis. 

                        Every coin set in their sights. 

                        And so, the beat went on. 

                        Sun shining down, on weary brows, 

                        Souls toiled through the days. 

                        Some had nothing left to give, 

                        and began to fade away. 

                        But mother moon had been watching, 

                        and disapproved of what she’d seen. 

                        Fifty, fifty had been the deal, 

                        but not what she received. 

                        These creatures that returned to her, 

                        at the end of every day, were used up 

                        With no honor left to pay. 

                        No will to wish upon a star, 

                        or linger in their lovers’ arms. 

                        No dreaming of tomorrow. 

                        Without the honor of these gifts 

                        The moon would more than wane 

                        Without the worship in our play 

                        She’d simply drift away 

                        So, a Titan embraced humans, 

                        who were fading far too soon. 

                        And tucked them under cover. 

                        In the silverest of rooms. 

                        While plying them with honeyed cakes, 

                        and healing herbal teas, 

                        she read to them “Goodnight moon,” 

                        before she turned away to leave. 

                        The triple goddess of the moon, 

                        pulled the night across the day. 

                        Then strolled down to the Otherworld. 

                        And gathered the demons’ names. 

                        Then cast the lot away.                                                                                                                         

                        The mother, maiden, and the crone, 

                        Drowning them in the river Styx,  

                        ‘Til it flows the other way. 

                        There be monsters in the dark, 

                        And monsters in the day. 

                        Waiting in the crossroads,  

                        is the goddess Hecate. 

                        It’s Easy to Lose Yourself in Love

                        It’s Easy to Lose Yourself in Love

                        In honor of Valentine’s Day, the author’s of Wild Ink Publishing and Conquest Publishing were given a little 24-hour challenge. Write about that all consuming, one human emotion that rises above the rest, thing that drives us all forward. Love. The challenge was simple enough… use your choice of three short forms; a mini-saga, 6-line free verse, or a mini-essay.

                        We were blown away by the response in such a short amount of time. And tonight, we would like to present to you, why it’s so easy to lose yourself in love, with the first annual 24-hour Valentine’s Day writing challenge.

                        Photo by Loe Moshkovska on Pexels.com

                        Old Love

                        Abigail Wild

                        Staring at the box of chocolates propped against the vase of roses that will wilt and die. 

                        He snores.

                        I stare harder at the thorns that will prick, 

                        and the chocolate that will melt on my fingertips, 

                        as his apnea replaces sweet nothings. My true love. 

                        Love Does Not Hold Captives

                        Melanie Mar

                        As Asha looked out her window, she wondered if the man who locked her in regretted it. Did he know that she counted the seconds until he appeared again? She wished she could tell him the locksmith showed her a way out—and that he deserved freedom from himself as well.

                        My Love and Me 

                        Kylie Wiggins

                        I want a love of the ages,

                        one that is scrawled within pages.

                        I want my romance to be a muse,

                        one that sends the heart aching like a bruise.

                        We will go down in history,

                        my love and me.

                        My Sweet Valentine

                        Magdalene Dietchka

                        Their hands were still intertwined. She’d left an hour ago. Her roses sat beside the bed, their beauty unaware that sixty-three years had faded into the most recent of memories. He brushed her hair from her peaceful face. The last words she heard were, “I love you, my sweet Valentine.”

                        A Moment in Time

                        Amy Nielsen 

                        I cradled my days-old newborn son on the couch. My husband snuggled next to us. “These moments,” I said, “The ones that aren’t significant, these are the ones we forget.” He kissed the top of our son’s head. I then knew I’d remember. And I did.

                        My Only Valentine Brought Me French Fries

                        Abigail F. Taylor

                        A single, bright rose stuck out of the greasy paper sack.

                        I had to work late and was on my period.

                        I didn’t have to ask. Still he understood

                        that what I needed then was not a grand gesture

                        but a singular moment that whispered ‘I see you’.

                        Rose-Colored Lenses

                        Brianne Córdova

                        Love is patient, love is kind,

                        but above all else, love is blind. 

                        Broken bones, broken skin— 

                        wouldn’t be so if you’d listened.

                        He sent some flowers, apologized. 

                        “I just got so mad. You know I love you, right?”

                        Love is Fickle

                        Brittany McMunn

                        Love is but a fickle thing, the most volatile of all the emotions. Samson knew of Delilah’s betrayal, but his heart remained true. He stood with pride in the frigid, desert night as it was a strength to love another despite their flaws, not a weakness.

                        Just Say NO to V-Day

                        Haddessah Anne Brice

                        I simply do not understand why anyone would want to celebrate the anniversary of both the brutal murder of the man in the third century that the day is named for and the bloody execution of seven men by the American mob in the 1920s as the day to excessively dote on someone you supposedly love.

                        So why do we let society make us feel incomplete as people if we aren’t coupled to another person romantically on this one day above all others? Shouldn’t we strive to express our love for others just as much every other day of the year? 

                        Please let’s start treating our fellow humans with all the love, and turn Valentine’s Day into Halloween #2!

                        Pink Grinch

                        Rebecca Minelga

                        They say Halloween is the Devil’s day, and he may come out to party on All Hallow’s Eve, but he’s a sneaky one, and I think he does his dirtiest work on Valentine’s Day. Breaking promises and bank accounts, coercing sex, forcing proposals. Fitting a year’s worth of love into a single day like checking off a to-do list, a transaction in place of a relationship. No diamond jewelry, candy hearts, or chocolate boxes for me, please. If it doesn’t include a gruesome and bloody beheading, I’m not here for it.

                        Two Dimensional 

                        Jessica Salina

                        Stars twinkled above the castle. Tucking a strand of hair behind a pointed ear, the elf looked at the satyr beside him. Pale, sweet-smelling flowers bloomed at her feet.

                        “What an adventure,” he said. “I’ve come to love you.”

                        Then, a meow. I paused the game to feed my cat.

                        Just Say Yes

                        S.E. Reed

                        Your lips, red wine. You throw your head back and laugh at my bad jokes. My heart, red flesh. You grab my beard and pull me closer to your face. Our kiss, red hot. You whisper, never leave me baby, and I promise you I never will. Our love story.

                        Welcome to the Void

                        Welcome to the Void

                        By Ollie Shane

                        in a year after back to the future three made you scream “give me the future”

                        Said future gives you more unreal than reality, headlines the type the onion et al could dream of

                        will we be all right? will we survive the anthropocene/climate chaos

                        is it any wonder you’ve lost hours falling down rabbit holes?

                        is it any wonder you come away thinking the end of the world is nigh?

                        There is a place where the rabbit holes meet, where your pessimism finds a soft spot

                                  it’s called the void, as dark as the darkest night

                                                                      before or even during the dawn

                                  the void hopes that the more time you spend, the more you find yourself (or the parts you do not want to think of when thinking of Self (and the other))

                                  you’ll learn about yourself

                                                       but also the world

                                                            you’ll take notes in a nice journal, in pen scrawl

                                       notes from the void coming soon.

                        About Ollie Shane

                        Ollie Shane is a poet, undergraduate English major, and the number one tote bag carrier and iced coffee sipper in the Tri-State Area (Delaware and Pennsylvania).He is Autistic and their special interest revolves around literature (currently on 20th century literature (such as W. Somerset Maugham, who they’re doing their thesis on) in conjunction with contemporary poets such as Danez Smith, sam sax, Franny Choi, Terrance Hayes, Mary Alice Daniel and others). Also, he is constantly looking for more poetry and prose recommendations.

                        On a writerly note, they are the author of the chapbook I Do It So It Feels Like Hell (Bottlecap Press, 2022), and their work has been published in Thirty West’s magazine AfterImages, Poetry As Promised, Palindrome Journal, and elsewhere. They also have a newsletter on Substack called Not Another Newsletter. To see more of their work, check him out on Instagram @aolshane and Chill Subs under olshane17.