By Sheelagh Aston
Writing can be brutal. Take the mantra kill your darlings. First mentioned in Arthur Quiller-Couch in On the Art of Writing in 1916 but often attributed to William Faulkner. As writers, we tear our writing apart repeatedly, boil down our precious words we have poured blood, sweat and tears over to produce to a fine honed piece of work a reader can immerse themselves.
The gem above was aimed at encouraging writers to view their work objectively – to omit words, passages, sentences or even characters that hindered the flow of the story. Here an editor can be a valuable alley to a writer. Being open to constructive criticism over your work can and often does add value to the quality of the final product.
But what about that inner critic – the one inside your head?
Say hello to your inner dragon.
The one that looks over your shoulder as you read other writer’s work and tells you ‘You’re not half as good as them, you’re kidding yourself with this writing lark.’ The one when you look at words you painstakingly wrought out of your head the day before, only allows you to see the purple prose, plot holes and complicated sentences. The condition it causes is imposter’s syndrome.
The good news is ever writer has one – and I mean every writer. Our inner dragon is like Philip Pulman’s daemon in The Dark Materials. They have a voice, know you so well they reflect your own doubts over your writing. Most of all, they mirror our ability to sabotage ourselves if not properly tamed.
What can be done to tame this beast of doubt? What follows are suggestion based on the own battle with mine own dragon.
- Acknowledge they exist. Like the imagery monster under the bed, once we admit it is there, it become less scary. This will also help you take ownership of your self-doubt and control your inner critical eye.
- Read other’s work but do not compare yourself to them. Try to learn from them – what makes that character you just love/hate work? How do they hold your attention? Then remember the ‘why’ when you come to your own work – e.g the saggy bit in your story – how did X keep the pace going so consistently?
- Find a positive writing buddy, group, or mentor. Individuals who will give constructive feedback who will point out the good stuff along with the bits that need working – and offer suggestions to resolve them. People you can share hopes, favourite books/writers or just hang out with whether it is online, WhatsApp/FB or face-to-face.
- Learn the difference between constructive criticism and unhelpful criticism. Take on board the first (see above) and ignore the other. A person is entitled to not like something but if they cannot explain why they do not like it, it is not helpful criticism.
- Be prepared to accept disappointment and setbacks. You are not going to win or be shortlisted for every competition or award you enter. Not everything you write will see the light of day. Many well-known authors have spent years in the wilderness before they became well known. It is no reflection on you as a writer.
- Switch off your critical editor when you are writing 1st drafts. They are meant to be messy. Train your dragon to take a nap then.
- When editing and your dragon speaks – listen to it. They may have a point about that scene you have been wrestling with and they could even supply the answer to fix it.
Tempting at it might be you do not need to kill your dragon, just tame it. As a tamed dragon, you will have a valuable writing tool to help you as a writer.
Kill your darlings if you can but not your dragon.
Sheelagh is a freelance writer and blogger. Her contemporary suspense novel, In-Between Girl, will be published in November by Resolute Books. You can follow Sheelagh at @aston_sheelagh, www.sheelaghaston.com



















