Category: Blog

A Court of Pen and Pain

A Court of Pen and Pain

By J.K. Raymond

Within the World of Creativity, there are realms that are delegated to each of the arts. Each realm is there to ensure their designated art lives on. In The Realm of Writing, there is one goal. To fill The Library of Knowledge with new works. To ensure success is achieved each potential writer is bestowed special gifts at birth. Three enchanted candles are gifted by the fates, each candle equally important. The Candle of Creativity, The Candle of Passion, and The Candle of Ability. Guaranteeing that muses be drawn by its curious glow, that lurking shadows of half-heartedness be scattered by its brilliance, and that the shades cast by demons of disease be to reduced gradient piles of harmless ash. Thus, ensuring each writer has the best possible chance to add to the knowledge that came before them. But the fates are just as cruel as they are benevolent. 

For reasons they will not reveal, the fates also released a curse on a small number of the third candles. Placing them directly in the path of never-ending storms, eternally challenging the enchanted fires atop them. Leaving The cursed Candles of Ability to spit and flicker in a constant battle to glow as bright as the matching pair beside it. Often wavering before fading to black for days, months, or years at a time. Forcing those rendered with it to live out their lives in sporadic shadows it creates. Those born with it left wondering who they could have become and what they could have created if only they were able. Those forced to accept that their third candle, once constant and true, was cursed in their prime, must live out the rest of their days in the shadows of creations they once made, but never will again. Both cursed, both left wondering, “Why?” 

In the farthest corner of the realm lies the darkest court. The Court of Pen and Pain. Every member from King and Queen to merchant and peasant are the recipient of an inconstant Candle of Ability. A court cursed. Where demons of disease lurk in the shadows left by the absence of a healthy glow. Stealing breath, sometimes for a moment, a minute, or in the blackest of times, forever. Inflicting pain, sometimes for a second, an hour or sometimes an eternity. They lay in wait and creep up slow. They strike with a titan’s blow or a phantom’s kiss.  

Existing in The Realm of Writing means you were born into The World of Creativity. This is a difficult enough calling, even under the best circumstances.  Attempting to wield the pen is a harrowing notion. Success is rare. Hence, the gifts. In The Court of Pen and Pain members exist in a realm where the circumstances are more than harrowing, they are dire. Writers of this court must learn to wield the pen in one hand and the sword in the other.  Fighting demons while weaving tales to enlighten or entertain under impossible conditions. Failure is not an option. Being born into The World of Creativity means you must create. It is a calling, and it is relentless. A call unanswered will tear at your mind, shame your soul, or both until there is little left of either. 

No one in The Realm of Writing is guaranteed a place in The Library of Knowledge. The exalted position of Author must be earned. Even writers who deserve to be acknowledged formally will not necessarily make the cut for one reason or another.  Nepotism, bad timing, politics, feuds, or just plain bad luck can leave piles of worthy material unbound and unshelved. The same standards for those with all three candles burning bright, apply to those of The Court of Pen and Pain. Fairness is not guaranteed anywhere in The Realm of Writing. If your work is going to rest bound in leather for all time in The Library of Knowledge, it must be equivalent in quality to the works shelved on either side of it. Exceptions are not made for works written by a body wracked in pain. Slaying demons in the dark while writing work equivalent to those who’ve done nothing of the sort holds no merit here. To be a writer at The Court of Pen and Pain you must be a warrior first and a writer second. To become an Author acknowledged by The Library of Knowledge, you must be both at the same time, and you must be relentless on both fronts. Once you are signed on as an official Author of the Library of Knowledge you belong to it and it belongs to every world, not just The World of Creativity. Author is the most coveted position within one of the most wicked of callings. Now a writer will answer not only creativity’s call but will also answer the call to defend their name. A name now written in permanent ink at the bottom of contracts which have now come into play. Contracts with due dates that do not care if the Author is battling a chimera of diseases. Nor does the chimera of diseases care about the contracted due date, the relentless calling, or defending a good name. The only one who cares is the Author. The days of choosing to write only when the chimera is weakened, perhaps even blessedly knocked out for a few peaceful hours, are over. So, it’s a good thing the fates weren’t done. 

All of the Worlds have their complications. Any human, from any world, be it the arts or stems, will undoubtedly face a myriad of overwhelming problems during their lifespan. The fates don’t just play with the humans of The World of Creativity. They are equal opportunity stirrers of the providential pot.  So, to ensure the success of humans and their contributions to their fellow man the fates once again bestowed a gift.  Upon their birth each human in every world is gifted a kernel of willpower. The kernel resides inside the soul of each human. This gift becomes part of the them and bonds with the body and the soul it was placed in. When the body hits a tipping point it trips a switch activating the kernel like a backup generator would when the main source of power is not enough for the load pulling on it. When the switch is flipped a steady stream of willpower flows into the body giving the drained human enough power to overcome the adversity that flipped the switch. The body and soul then continue to draw strength from the additional source until it is no longer needed. When the crisis is over the switch flips again and the additional source of power is cut off. The body and soul reverting back to its natural state.  

The body and souls’ ability to flip the switch can start at an early age. Leaving many humans to be described as weak willed or strong willed from the earliest points of their development. Which in some cases is true, but either way is usually determined way too early in the stages of development for it to hold true. In order for the kernel to survive in a soul and body that grows, the kernel was designed to do the same. Sometimes those with weak wills in their youth end up with strong wills at maturity and sometimes vice versa, while for others their willpower will stay constant and true the whole of their lives. What few ever figure out is that while all of this is true, it is also true that willpower cannot be used for an indefinite period of time, well…it was never intended to be able to be used that way. Remember, the fates are as benevolent as they are short sighted. 

It turns out the more you use the kernel of willpower the stronger it gets, the stronger it gets the easier it is to tap into. Which is one of the few things that bodes well for those who spend the whole of their lives surrounded by monsters that strike with little to no warning, shredding their bodies and scaring their minds. The constant battle with pain of one kind or another creates a sort of willpower loophole. As you can imagine writing under these circumstances causes the switch to flip pulling on backup power more often and for longer periods of time than was ever intended. And this is how those deemed Author of the Court of Pen and Pain meet their deadlines and defend their good name. When the kernel is pulled on too often it begins to spark. Lighting up the darkness left by the cursed Candle of Ability, replacing it with the power of Sheer Will. And though the loophole exists, just knowing about it and how it’s utilized isn’t enough to harness it. That kind of magic must be earned through battle and strength, patience, and humility. Commitment and dedication. Within the Realm of Writing only the Authors of The Court of Pen and Pain have earned the magic necessary to harness the loophole. A lifetime of pain trained their brains to identify, organize, then isolate chaos. A lifetime of pulling on willpower making it stronger. The mastery of the combination of both has the power to elevate them to a state that would otherwise be impossible to achieve. Fleeting, yes. But for a moment in time a bridge is built between a barely there existence and endless possibilities. Remember, as Miracle Max once said, “Mostly dead is slightly alive.” And so it is, through the magic of sheer will, creativity is born, written, and completed on time by a person who is only mostly dead. Recorded for all time in the Library of Knowledge. Leaving the Authors of the Court of Pen and Pain with their good name and the honor of writing, “The End.”   

Before they begin again. 

J.K. Raymond received her Bachelor of Arts in 1995 from Fontbonne University where she fell in love with everything in St. Louis-and under it.

J.K. also has the most amazing safety net in her tiny world, which

selflessly helps her to continually heal. Her husband of twenty years,

Matt Houser, her two sons, Aidan and Jace, her mother, JoAnn, and her

grumble of pugs, Lollie, RueRue, and TukTuk.

Find J.K.’s Book, Infinite Mass, anywhere books are sold online.

Meet Your Heroes!

Meet Your Heroes!

by Greg Jones

I’ve heard it said to “never meet your heroes.” However, there are certain people who impact your life in such a profound way that it would be a disservice to yourself and to them if you didn’t seek them out when possible to have the chance to maybe engage on a more personal level. I personally believe, in this ever-distancing world, that these encounters are more important now than ever.

A literary hero might be the most elusive of all.

I had the good fortune of meeting Clive Barker at a Harry Schwartz bookshop in Milwaukee about 20 years ago. It, to this day, plays on repeat on the highlight reel of my life.

To say he is a major influence in my life is a vast understatement. At 14, when I first read his short horror fiction, I knew this was something unique and special. His writing brought poetry and elegance to a genre that was sorely lacking in those qualities up to that point. It has influenced and inspired my art and my writing ever since.

To those not familiar with Mr. Barker, he was very prolific in the 80’s and 90’s, moving from horror to dark fantasy to full adult fantasy novels. In 2012 he fell into a coma after a dental procedure left him battling toxic shock syndrome, which has affected his health ever since. He recently posted that he would be doing a handful of personal appearances throughout 2024 and then focusing entirely on various unfinished projects.

This news came the same evening as my final cover reveal for my upcoming horror poetry collection from Wild Ink. I learned that he would be coming to Chicago at the end of March and I made arrangements to make the trip.  

I arrived at the convention center with a framed photo of the two of us from that first Milwaukee meeting as well as a binder containing a selection of my strongest poems, a copy of the cover art for my book and an emotional letter explaining what a profound effect he has had in my life. Two hours later we would meet for the second and, most likely, last time.

He shook my hand and said ‘’Hello” and I was taken aback at the frail man before me. It was emotional to say the least.

I showed him the photo of the two of us and he commented how we were both “children” back then. We reminisced on the picture and then I asked him if I could give him something. I handed him the folder and told him about the pending publication and that it would not even exist if it weren’t for him. I could see he was affected by this and he shook my hand again.

He leafed through the pages and asked me how long I had been writing poetry and “why” I had started writing. Again I told him “because of you.” He said he was honored and actually asked ME to autograph the sampling for him. I was astounded. It was surreal as I signed my name to a dedication to him!

He asked my wife if she was proud then asked her if “I” was proud, to which we both responded, absolutely. He ended by saying what a huge accomplishment this was. Before I left I shook his hand again and told him my contact information was included inside and if he ever felt the urge to send along any words of encouragement or advice I would be forever grateful.

I left deeply moved and affected and filled with many feelings. Validation, pride, hope, and a bittersweet sadness knowing this might be the last time I ever speak to him. It was a complete full circle moment for me and I am beyond grateful for his words and attention and just for being the genuinely decent human being I remember from 20 years before. I hope on some level it meant as much to him as it did to me.

I have been fortunate enough over the years to meet or have interactions with many of the people I look up to and respect. It is a gift to share these moments with individuals who have moved or inspired you and I would encourage anyone to take that chance if it presents itself.


Born in 1970, I grew up,  in my opinion, in the pinnacle of all things. The best films, music, comic books and those fantastic 80’s horror novels. No matter where my mind wandered it eventually found it’s way back to something with a monster in it. I spent my adolescence hunched over a drawing table, occasionally writing and living my life in pursuit of personal creative goals. In my current role at the local library I am surrounded by books all day and inspired daily to keep creating my horror inspired poetry.

“Meet Me in the Flames” is my first published work and I am diligently scribbling away on a new poetry collection as well as a series of short stories.

When not reading, writing or working on some kind of art you can find me listening to old country records, watching anything remotely creepy or traveling the globe in search of the perfect mountain sunset.

I live in Wisconsin with my loving wife of 30 years and my three amazing daughters all of whom contribute to my writing with editing skills and strong stomachs.

The Writer as a Tortoise.

The Writer as a Tortoise.

by Sheelagh Aston

It is estimated that 97% of people who start writing a novel never finish it. So, congratulations on finishing the first draft of your MS.

Do not underestimate the achievement and enjoy the satisfaction of writing THE END.

Celebrate. You deserve it.

Now what?

You will be eager to get it out there in the world.

Here is some advice – DON’T.

Jericho Writers estimate the chance for a new writer to get an agent is 1 in 1000. The most common reason for rejecting an MS given is poor presentation or the story needs more work/editing done on it for an agent to send out on submission or a publisher to take on.

Few agents or publishers have the time or inclination to undertake several rounds of edits.

As for self-published novels. The biggest compliant by readers is many novels feel underwritten and contain grammatical errors in them.

 JK Rowling rewrote the first chapter of HP & the Philosopher’s Stone 15 times. As a writer your may find you have more in common with the tortoise and not the hare of the children’s Aesop’s fable. The tortoise took their time, did not rush, and won the race. The bragging, puffed-out hare failed to stay the distance.

Learning to be a tortoise, not a hare, is a key skill for a writer. One not often discussed at writers’ courses or conferences. Many writers simply learn via the school of hard knocks.

Developing a process for ensuring your work is the very best it can before you send it out for submission or to print takes time and a lot of patience. For many new to writing it can also be confusing – just check out the number of editing services and writing courses advertised on the internet. Yet they emphasise how important it is to take your time and get the MS up to publication standards.

It will take you time to work out a process that suits you and your budget. (if you have one) and to find people you can entrust your precious work for critiquing and editing.  What is offered below is a framework that can be done for little money and will enable you to reach a point where you can have confidence that whether you go down the traditional or self-publishing route your manuscript is the best it can be for the next stage of it journey to publication.

  1. Put the 1st draft in a drawer and leave it there for at least three weeks – longer if you can. Give yourself time to distance your giddy emotions from writing it so when you come back to it, you can look at it with a fresh eyes and clearer head.
  2. Go through a hard copy with a red pen– yes it means printing and paper but it is easy to miss things when reading material on computer screen. You will catch more typos, notice issues about the overall story’s pacing, plotting and characterisation if you read a paper version. You can make notes in the margin.
  3. As you go through it write a scene/chapter breakdown of the story. This will help if you need to move scenes or chapters around, check your timeline works and, if you are writing more than one POV, ensure everyone gets a turn. It can be a quick reference to locate what happens when (believe me you will get confused at some point)
  4. When you have done your revision find 2-3 people who will read it (called beta readers) – not friends or relatives. Joining a writers’ group, in person or online can help this – you may have to return the favour – and this in turn will help you develop your inner-editor’s eye for your own work. There are online critique groups you can join as well. Critique.com is one. A search on Yoututbe to find writing webinars will throw up zillions on various aspects of writing including editing and critiquing that can help you. 
  5. While waiting for feedback research the different types of editing in case you need one later i.e. the differences between developmental and line editing. (This is where it can get expensive – understanding the different types of editorial services will help you chose the right one for your MS and discuss your need with an editor.)
  6. Clunk or Chime? – When you get all the critiques back go through each beta reader’s feedback. Note their consensus on issues with the story – plot, pacing, world building as well as what they liked. Mark up your revised copy. Put it in the drawer again to rest for a couple of weeks. You may not agree at first with their observations. It is tempting to discard the feedback. When you go through the marked-up MS with the feedback keep what ‘chimes’ with you. If something still ‘clunks’ with you either do nothing with it or ask for clarification from the person who gave it. It maybe they have mis-understood something or you have not written a scene or plot point clearly.
  7. By this stage you should have a robust MS but hold back the hare inside you. Go through the MS once more (or twice) Eliminate all the ‘weasel words.’ ‘Weasel words’ are weak works i.e. adjectives, ‘glue words such as, but, just so, very. Most grammar checkers have a faculty that can help you with this.
  8. Put the new revised draft back in the drawer once more. Go off and write something else. Start working on your submission package and submission list. When ready return to the MS. Do the tweaks you need to do.

What you decide to do from this point is up to you. You can start submitting to agents and publishers, get a professional editorial assessment carried out to ensure it is ready to go out for submission or you may decide to self-publish.  

Whatever you decide you will have a MS that supersedes the original version you started with, you will have grown as a writer and the next 1st draft will benefit from what you have learnt.

Happy Writing.

Sheelagh has been writing since she could hold a pen. Her novels weave together suspenseful plots with exploring how people find their inner worth and place in the world. When not writing novels, she freelances for radio, magazines, and anthologies for a wide range of genres. Her gothic horror story Little Redd Cupcake with be published by Wild Ink in the Anthology Penny Dreadful later this year.

Social media links:

www.sheelaghaston.com

X @aston_sheelagh

 Facebook: https://www.facebook.com/sheelagh.aston.9

From BookTok to Bookshelf: How a TikTok Ban Spells Trouble for Readers and Publishers Everywhere

From BookTok to Bookshelf: How a TikTok Ban Spells Trouble for Readers and Publishers Everywhere

by Amelia MacKinnon

The indie book publishing industry has been steadily growing in recent years, with a significant impact on the literary landscape. According to industry reports, the annual revenue of the indie book publishing sector surpassed $2 billion in the most recent fiscal year.

This remarkable figure underscores the increasing influence and viability of independent publishers in the competitive market.

Indie publishers often champion diverse voices and niche genres that may not receive as much attention from larger publishing houses, contributing to a vibrant and inclusive literary ecosystem. As such, understanding how a potential TikTok ban could affect this dynamic industry is crucial for assessing its broader implications for readers, authors, and publishers alike.

But hold up, because this ban could have some serious ripple effects, especially in an unexpected corner—the global book publishing industry.

Let’s break it down. TikTok isn’t just about dances and memes anymore. It’s become a powerhouse for book recommendations and literary discussions.

You’ve got bookish creators with millions of followers, sharing their favorite reads and sparking conversations that lead to actual book sales. Take BookTok, for instance—a vibrant community where readers share their love for everything from fantasy epics to romance novels.

Now, imagine if all that vanished overnight. Poof! No more BookTok. No more viral book recommendations reaching millions of potential readers. Suddenly, authors and publishers are left scrambling to find new ways to connect with audiences.

TikTok’s unique format and algorithm have proven to be particularly effective in boosting book sales for authors compared to other social media platforms like Facebook, Instagram, and Goodreads. Unlike traditional platforms where users primarily engage with static images or lengthy posts, TikTok’s short-form video format allows for quick, engaging content that captures users’ attention in mere seconds.

This makes it easier for authors to showcase their personalities, share book recommendations, and connect with readers on a more personal level.

Additionally, TikTok’s algorithm is designed to promote content based on user interests rather than follower count, giving even lesser-known authors a chance to reach a wider audience.

As a result, books recommended on TikTok often experience a rapid increase in sales, outperforming promotions on other platforms where content can easily get lost in the noise. The viral nature of TikTok further amplifies the reach of book recommendations, creating a snowball effect that can lead to exponential growth in sales and visibility for authors.

But it’s not just about losing a platform for promotion. TikTok has been a game-changer for discovering diverse voices and niche genres. Think about the surge in interest in poetry, thanks to poets sharing their work in short, captivating videos. Without TikTok, these voices risk being drowned out in a sea of mainstream content.

And let’s talk numbers for a second. TikTok has over 100 million monthly active users in the U.S. alone. That’s a massive pool of potential readers. If even a fraction of those users were influenced by BookTok to buy just one book a month, you’re looking at a significant boost for the publishing industry.

But with a ban looming, publishers might need to rethink their marketing strategies. They’ll have to pivot away from TikTok and find new ways to engage with readers. Maybe they’ll invest more in other social media platforms or explore partnerships with influencers on different platforms. Either way, it’s going to shake things up.

One notable example is Abigail Hing Wen, the author of “Loveboat, Taipei.” Her novel gained significant traction on BookTok, leading to increased sales and visibility.

Loveboat, Taipei Hardcover – January 7, 2020

“Loveboat, Taipei” is a young adult novel that follows the story of Ever Wong, who is sent to Taiwan to study Mandarin for the summer but ends up experiencing love, adventure, and self-discovery. The book resonated strongly with BookTok users, who praised its diverse characters, engaging plot, and exploration of identity and culture.

As BookTok users shared their enthusiasm for “Loveboat, Taipei” through videos and recommendations, the novel gained momentum within the platform’s community. This surge in interest translated into increased sales and recognition for Abigail Hing Wen, propelling her book onto bestseller lists and garnering widespread acclaim.

Abigail Hing Wen’s experience serves as a real-life example of how BookTok can significantly impact an author’s career, leading to greater visibility, book sales, and ultimately, success in the publishing industry.

While a TikTok ban may initially seem like a routine political decision, its ramifications extend far beyond mere community-building activities. Its effects could potentially reshape the landscape of book discovery, sharing, and celebration on a global scale.Report this

It’s Easy to Lose Yourself in Love

It’s Easy to Lose Yourself in Love

In honor of Valentine’s Day, the author’s of Wild Ink Publishing and Conquest Publishing were given a little 24-hour challenge. Write about that all consuming, one human emotion that rises above the rest, thing that drives us all forward. Love. The challenge was simple enough… use your choice of three short forms; a mini-saga, 6-line free verse, or a mini-essay.

We were blown away by the response in such a short amount of time. And tonight, we would like to present to you, why it’s so easy to lose yourself in love, with the first annual 24-hour Valentine’s Day writing challenge.

Photo by Loe Moshkovska on Pexels.com

Old Love

Abigail Wild

Staring at the box of chocolates propped against the vase of roses that will wilt and die. 

He snores.

I stare harder at the thorns that will prick, 

and the chocolate that will melt on my fingertips, 

as his apnea replaces sweet nothings. My true love. 

Love Does Not Hold Captives

Melanie Mar

As Asha looked out her window, she wondered if the man who locked her in regretted it. Did he know that she counted the seconds until he appeared again? She wished she could tell him the locksmith showed her a way out—and that he deserved freedom from himself as well.

My Love and Me 

Kylie Wiggins

I want a love of the ages,

one that is scrawled within pages.

I want my romance to be a muse,

one that sends the heart aching like a bruise.

We will go down in history,

my love and me.

My Sweet Valentine

Magdalene Dietchka

Their hands were still intertwined. She’d left an hour ago. Her roses sat beside the bed, their beauty unaware that sixty-three years had faded into the most recent of memories. He brushed her hair from her peaceful face. The last words she heard were, “I love you, my sweet Valentine.”

A Moment in Time

Amy Nielsen 

I cradled my days-old newborn son on the couch. My husband snuggled next to us. “These moments,” I said, “The ones that aren’t significant, these are the ones we forget.” He kissed the top of our son’s head. I then knew I’d remember. And I did.

My Only Valentine Brought Me French Fries

Abigail F. Taylor

A single, bright rose stuck out of the greasy paper sack.

I had to work late and was on my period.

I didn’t have to ask. Still he understood

that what I needed then was not a grand gesture

but a singular moment that whispered ‘I see you’.

Rose-Colored Lenses

Brianne Córdova

Love is patient, love is kind,

but above all else, love is blind. 

Broken bones, broken skin— 

wouldn’t be so if you’d listened.

He sent some flowers, apologized. 

“I just got so mad. You know I love you, right?”

Love is Fickle

Brittany McMunn

Love is but a fickle thing, the most volatile of all the emotions. Samson knew of Delilah’s betrayal, but his heart remained true. He stood with pride in the frigid, desert night as it was a strength to love another despite their flaws, not a weakness.

Just Say NO to V-Day

Haddessah Anne Brice

I simply do not understand why anyone would want to celebrate the anniversary of both the brutal murder of the man in the third century that the day is named for and the bloody execution of seven men by the American mob in the 1920s as the day to excessively dote on someone you supposedly love.

So why do we let society make us feel incomplete as people if we aren’t coupled to another person romantically on this one day above all others? Shouldn’t we strive to express our love for others just as much every other day of the year? 

Please let’s start treating our fellow humans with all the love, and turn Valentine’s Day into Halloween #2!

Pink Grinch

Rebecca Minelga

They say Halloween is the Devil’s day, and he may come out to party on All Hallow’s Eve, but he’s a sneaky one, and I think he does his dirtiest work on Valentine’s Day. Breaking promises and bank accounts, coercing sex, forcing proposals. Fitting a year’s worth of love into a single day like checking off a to-do list, a transaction in place of a relationship. No diamond jewelry, candy hearts, or chocolate boxes for me, please. If it doesn’t include a gruesome and bloody beheading, I’m not here for it.

Two Dimensional 

Jessica Salina

Stars twinkled above the castle. Tucking a strand of hair behind a pointed ear, the elf looked at the satyr beside him. Pale, sweet-smelling flowers bloomed at her feet.

“What an adventure,” he said. “I’ve come to love you.”

Then, a meow. I paused the game to feed my cat.

Just Say Yes

S.E. Reed

Your lips, red wine. You throw your head back and laugh at my bad jokes. My heart, red flesh. You grab my beard and pull me closer to your face. Our kiss, red hot. You whisper, never leave me baby, and I promise you I never will. Our love story.

Welcome to the Void

Welcome to the Void

By Ollie Shane

in a year after back to the future three made you scream “give me the future”

Said future gives you more unreal than reality, headlines the type the onion et al could dream of

will we be all right? will we survive the anthropocene/climate chaos

is it any wonder you’ve lost hours falling down rabbit holes?

is it any wonder you come away thinking the end of the world is nigh?

There is a place where the rabbit holes meet, where your pessimism finds a soft spot

          it’s called the void, as dark as the darkest night

                                              before or even during the dawn

          the void hopes that the more time you spend, the more you find yourself (or the parts you do not want to think of when thinking of Self (and the other))

          you’ll learn about yourself

                               but also the world

                                    you’ll take notes in a nice journal, in pen scrawl

               notes from the void coming soon.

About Ollie Shane

Ollie Shane is a poet, undergraduate English major, and the number one tote bag carrier and iced coffee sipper in the Tri-State Area (Delaware and Pennsylvania).He is Autistic and their special interest revolves around literature (currently on 20th century literature (such as W. Somerset Maugham, who they’re doing their thesis on) in conjunction with contemporary poets such as Danez Smith, sam sax, Franny Choi, Terrance Hayes, Mary Alice Daniel and others). Also, he is constantly looking for more poetry and prose recommendations.

On a writerly note, they are the author of the chapbook I Do It So It Feels Like Hell (Bottlecap Press, 2022), and their work has been published in Thirty West’s magazine AfterImages, Poetry As Promised, Palindrome Journal, and elsewhere. They also have a newsletter on Substack called Not Another Newsletter. To see more of their work, check him out on Instagram @aolshane and Chill Subs under olshane17. 

An Interview with Maria James-Thiaw

An Interview with Maria James-Thiaw

“A health care system built on bias and inequity, a system of policing that snatches our sons & daughters from our arms, and a pandemic painting a target on our backs – this is 2020 through the eyes of a black woman with chronic illness.

If you’ve ever been dismissed, ignored, suspected, or accused by a healthcare provider, you will relate to these verses.”

In this “Corona-cation”-created collection, Maria James-Thiaw delivers personal poetic reflections on chronic illness and mortality, race relations, and family history. The speaker’s experiences form a colored chronicle of “Despair-ities” as fluidly surreal as Dali’s melting clocks, in which she “folds up her somedays” in response to an immune system that “unpeels her like fresh fruit,” yet conjures music even from suffering (“My sister’s cells sickle”). Her pain-pricked body is a voodoo doll. Even a right-wing white supremacist becomes a left-handed kindred soul whose “nerves burn like crosses on each vertebra.” Count Each Breath scrapes the poem-bone raw. Its verses burn with rage, against an uncertain future, an unredeemed past, and a bruised and bruising, black and blue-and white-America.

– Vernita Hall, author of Where William Walked: Poems About Philadelphia and Its People of Color

Maria James-Thiaw published her third book of poetry, Count Each Breath, this September through Wild Ink Publishing. You can find Count Each Breath here.

This May, Maria’s choreopoem, Hair Story, will hit the stage in Harrisburg, PA. You can find out more on the Reclaim Artist Collective website.

HairStory follows the journey of a young ambitious Black woman, Aleyah, who is working all the angles to make a name for herself as a hard-hitting journalist. Imagine her surprise when her editor assigns her a “fluff” story about Black-owned beauty salons. Her journey takes her back to ancient stories and rituals woven into African people. Aleyah encounters many deep-rooted stories of how Black and Brown people have been ostracized and objectified for their hair. She is pulled into memories of sisters, mothers, grandmothers, and aunties who lovingly and sternly braided traditions, demands, and power into each other’s hair. Will Aleyah see herself in these stories or will she refuse to look in the mirror?

What inspired you to start writing?

I was surrounded by readers and writers. My dad was a poet and would read his work aloud. I knew as a toddler that when I learned to write, I would write poems.

What inspired you to write this Count Each Breath?

Count Each Breath was inspired by the realization that my story was not just my own. Women and people of color face racial bias in healthcare and that can lead to negative health outcomes, lower quality of life or even death. It is wrong. I saw what was happening in 2020 and I felt so vulnerable as a woman of color with chronic health problems. I knew I had to document this strange time we were living through. And they wonder why black people rose up in 2020. And it wasn’t only us. A whole host of people of all colors rose with us. There were people marching for black lives in small towns that had zero black residents. This was revolutionary. I had to document the moment with poetry.

What is one thing you really want readers to know about your book?

I think even though it deals with an issue that is specific to people of color, women of any race are also marginalized by the healthcare industry and they can relate to this poetry as well. It takes four or more years to get an accurate diagnosis of an autoimmune disease, in med schools the male body is often studied while women bodies are not. We aren’t just little men with boobs! (LOL) We are often dismissed as emotional when we know our bodies and we know something is going on. We have to advocate for ourselves.

Can you tell me a bit about your writing habit or the process you took in writing this book?

When the shutdown first happened I couldn’t create. I was extremely anxious and trying to self medicate that…I mean, my husband was trapped behind closed borders and couldn’t get home for nearly 6 months and my kids have special needs. It was really difficult. But eventually I started watching documentaries – Margaret Attwood was a really important one – they started unlocking my “poem bone” as I say in the book. I started attending online poetry gatherings and that helped. Eventually I was writing nearly every day in between Cuomo’s press conference
and the Trump Show. (Was it a comedy show, or a horror show? Definitely the Twilight Zone) All of that was inspiration. Readers will see when they read “The First Fourteen” about the first two weeks of the pandemic.

What piece of advice would you give aspiring authors?

Hone your craft. Be open to criticism. Read other poets so you know what is out there. Stretch the limits of what you are doing now. When you see what a Patricia Smith, or Jericho Brown, or Ross Gaye can do, then you will know that you can do more as well. Take risks, be inventive, and never stop growing.

Is there anything else you would like to add?

My poetry always leans toward social justice. I’m a daughter of Civil Rights Activists and I believe that poetry is my sword in the fight against ignorance, racism, and inequality. They’ll see that in my choreopoems as well.

An Interview with Melissa R. Mendelson

An Interview with Melissa R. Mendelson

“This Will Remain With Us is a collection of poems written during the Covid-19 pandemic when Melissa Mendelson suddenly found herself declared an “essential worker.”

In the midst of the turmoil, she turned to poetry to document and cope with the challenge of the lockdown, and isolation.

A philosophical, liminal, insightful collection of poetry from a difficult time for the collective soul.”

Melissa R. Mendelson is a Poet and Horror, Science-Fiction and Dystopian Short Story Author.  Her stories have been published by Sirens Call Publications, Dark Helix Press, Altered Reality Magazine, Transmundane Press, Owl Canyon Press, and Wild Ink Publishing.  She also won second place in the WritersWeekly.com 24-Hour Short Story Contest. 

Her book of poetry, This Will Remain With Us was published in December 2022.

What inspired you to start writing?

I love movies and television shows.  I have watched so many of them since I was a kid, and I always wanted to write my own.  I would be so fascinated with worlds such as in Blade Runner, Dark City and Terminator, or ideas like with Powder, Flatliners and Fallen.  I want to introduce my own worlds, characters and ideas to people, and maybe, that’s what fuels me to write, especially in high school.  I didn’t want to write about my life.  I just wanted to find escape like how I escaped in all those movies and tv shows.

What inspired you to write this book?

When 2020 arrived, I was still dealing with gynecological issues.  Then, the pandemic happened.  I was designated as a Frontline Worker.  My father got really sick, and thank God, he’s better now.  It was A LOT.  I love writing, especially in my favorite genres of Horror, Dystopian and Science-Fiction, but I have become comfortable also writing Drama.  And I needed to write, and not just short stories.  I needed to write poetry.  I needed to write to survive everything that was happening around me, inside of me, and the website, Medium became a home for all that writing.  But looking back on everything that I wrote, I didn’t want it to just stay on Medium, so I was inspired to put the short stories together in a self-published collection and create a poetry collection that was published by Wild Ink Publishing.

What is one thing you really want readers to know about your book?

We all experienced the pandemic and 2020 in our own way, especially frontline workers, and maybe, my experience is not like theirs.  But I want readers to still connect with my words, my thoughts and feelings, and maybe they will find inspiration too.  Maybe, they will want to tell their story, whether it is a short story or poetry.

Can you tell me a bit about your writing habit or the process you took in writing this book?

I combed through Medium, pulling out any poem about being on the frontline.  I debated on the political ones, but I didn’t want this book to be politically driven, especially with such a divide in this country.  I wanted human connection, but there are some poems with political undertones.  When I had the poems picked out, I organized them by the date that they were written, and I felt that the last poem should be, This Is How We Remember Them.  We need to remember those that were on the frontline and how they risked their lives for us.

What piece of advice would you give aspiring authors?

I allowed depression once to convince me to stop writing, and I lost a lot of time in doing that.  And I’m sorry that I had stopped writing.  I didn’t have a support structure or anyone in my corner to push me to keep writing.  Eventually, I returned to it on my own, but I will always regret not writing.  So, no matter how hard things are or how lost you feel, please don’t give up.  Don’t stop writing.

An Interview with Johnny Francis Wolf

An Interview with Johnny Francis Wolf

“No rhyme or reason as to who is next to whom. Worthy subjects, apart or together, for Norman Rockwell’s brush, Saul Bass’s graphic hand, or Johnny Francis Wolf’s quill.

A battered, old homeless man is given wide berth. Young gay couple share a giggle, scantily clad and on their way to a Pride event. Little boy in Mother’s lap staring, charmed by a face. Blind man pets the dog asleep between familiar legs.

Businessman, NY Times spread wide, is distracted by the shirtless lads laughing to his right. Ladyboy prostitute in daring dress and heels hangs dearly on a subway handgrip. Priest standing, facing door, eyes averted toward our hooker, wondering if the cleavage real, ignores the beggar reaching out a hand for help.

Way over to our left, a bearded man in red. Santa hat adorns his head.

No one is on their device.”

Johnny Francis Wolf describes himself as a Poet, Actor, Ranch Hand.. and a whole bunch else.

Below Johnny’s interview answers is the query letter I received from him when I first started Wild Ink Publishing. It didn’t fit the template of what publishers and agents shackle everyone to. And that is precisely why Wild Ink decided to publish him. Why start a new publishing company if you aren’t willing to take chances on nontraditional stylings? Why try to make waves in an industry if you don’t accept work that will make waves? Johnny does not disappoint!

You can purchase Men Unlike Others, Vol 1 here.


What inspired you to start writing?

Still trying to make it as an actor, I went the Billy Bob Thornton route. I attempted to write my own SLINGBLADE. Though, I do believe it was Sylvester Stallone who initially established this ‘pen your own first film’ with ROCKY.

Mine, called JELLY DONUTS, was a fun write..  took me three years.

Tiny back story, I was living in an under-code poolhouse in LA, with lots of exposed fiberglass lining the ceiling (more a garage with a tiny carve-out for pool supplies and one tenant). The fiberglass did little for warmth, but lots (of bad) to my lungs. And don’t let them fool you, fiberglass is as dangerous as asbestos.

The script, about a middle-aged Cerebral Palsy ‘kid’, occupied the healing years that followed — in the High Desert, north of LA. And it was during that more sedentary life, while getting back my breathing, that my homelessness began. My storied ‘massage’ career, my acting pursuits, my ability for side employment, all came to a hard stop during those years.

WRITING became HEALING. And I’ve plenty more of both in me, and needed. My lungs are better. My head, my demons, my past..  all mending. My search for a home, ongoing.

P.S. The script received little attention. But I haven’t given up on it.


What inspired you to write this book?

I had been amassing quite a library of stories and poems — written during and after the screenplay process — and thought they might have worth. A friend on Facebook just published her own and was doing quite well.

I endeavored to try the same. MEN UNLIKE OTHERS was born. The title purposely, tongue-in-cheek-ly ominous.


What is one thing you really want readers to know about your book?

It is me spitting out moments remembered, imagined, bent, and embellished. Some nice. Some bile. None bitter. No order (other than alphabetical).

Just when you think you have me pegged, I might hit you with a one-eighty.Of the two volumes — and by luck of the alphabetical draw — I think Vol. 2 is the meatier one. Though Vol. 1 is no slouch.

The two together are inseparable. One really needs both in their library.


Can you tell me a bit about your writing habit or the process you took in writing this book?

I write morning ‘til night, whenever I can squeeze in time. I seem to gravitate toward very early AND very late.

More, specific to the book, below.


What piece of advice would you give aspiring authors?

Please, please, please edit yourself carefully before showing the world. Misspellings and bad grammar lose eyes quickly. Awkward phrasing, even faster.

And lose my eyes, instantly.

Don’t ever think close enough is good enough.

It. Never. Is.

Ever.

MEN UNLIKE OTHERS took 18+ months just to cull, organize, proof, polish..  even AFTER it was already written, and BEFORE it was sent to prospective agents and publishers. Definitely polished well PRIOR to presenting it to Ian Tan for proper book editing.

Lastly. Get yourself a good laptop. IMHO, so much better for writing than an iPhone. I can’t even effin’ imagine. Set your damn bar higher.


What would you like to highlight about your writing career?

Below is my first reaching out, following my finish of the book… August, 2021.
I, initially, was looking for an Agent. (Ha!!)

You, Abigail, received my more Frankenstein Cover Letter, curated several times by the time I got around to you.. lots of fun cut-and-pastes. Too unwieldly for this exercise. But THIS Cover Letter might insinuate a little more about me. The ‘IF YOUR TIME IS SHORT’ preamble was, in fact, part of that letter.

The letter starts here:

––––––––––––

IF YOUR TIME IS SHORT

–  Unpublished Author looking for representation. 

–  I’ve recently completed a manuscript of 160 poems and short stories. 

 Men Unlike Others pontificates plenty on men.  Plenty, too, on the more frothy affairs I deem related.

–  I’d love to send you a sampling.

Below is a dizzyingly circuitous missive written to engage, amuse, beguile.  (Stop reading here if not easily engaged, amused, beguiled.)

––––––––––––

August 1, 2021

Submission Query

–––––

Dear Mr. Literary Agent (name changed),

A part of me will ever be this way. 

I look for pretty pictures.  Handsome faces.  Men.

–––––

An unrelated  ––  maybe  ––  googling of poetry publishers yielded too many blazoners of books…  too beaucoup a band of bard boosters and backers to imagine tendering that many cover letters.

Muckraking cross the top ten aggregate sites (who each offered a collated top fifty), purging the duplicates, I weeded out well more than half those left as self–publishing (with me not interested). 

Eliminating the survivors requiring contest submissions (often with entry fees), culling through printers who have long since abandoned poesy as a promotable literary genre, curating the few remaining classic compositors accepting unsolicited words, turns out exactly one is yet open to verse proffers  ––  bidding welcome Christian odes only.  Of course, I embroider some of the particulars.

But left me thinking, “A better life through representation.”

Engaging someone who knows how best to find and forge a publisher/author relationship just sounds smart.  Having dabbled in acting over the years, I recall how ably a talent agent aided my seeking auditions and thespian employment. 

Perhaps the same would work here.

–––––

Returning to my initial tease apropos of men and handsome faces, I began a new and pioneering online search.  This time for literary agent.  I ordained that pictures helped  ––  furthered my examen  ––  and divined good–looking male headshots seemed draw.

Yours, Mr. Literary Agent, stood top of that list. 

Googling you, your works, your wedding earlier this Century, made for a well–rounded and deep dive into the sort you are, attendant the type of person who might be interested in representing an idiosyncratic poet (check), who is similarly gay (check), and not 19 (check, check). 

Anything further and personal beyond those three is irrelevant.  So stated to assuage any fears about my predilection to a nice visage.  Specifically yours..

Simply trying to address the probing in your Agency’s submission guidelines as to, “how you heard about TCA.”

–––––

I am a homeless gypsy  ––  an artist, actor, unpublished writer  ––  making little money and currently living in my brother’s attic.

I am autistic and savant.

Acting classes helped enormously deciphering how to bide in genteel society…  imparting methods that accorded me the means to ‘fake it’ when my own cerebral editor could not feel for best practices. 

Withal, I am still very much a loner.  And, as this introductory email reveals, can be quite prone to gaffes..  verbal as well as writ…  precipitously impromptu else laggardly circumspect.

A dangerous hallmark to lay claim to (and clear proof of) when hastening headlong unto a description of one’s manuscript  ––

–––––

My book is comprised of 160 poems and short stories.

Men Unlike Others is not devoted expressly to males but to all the subjects this gay man enjoys expounding upon  ––  men, beasts, writing, men, life, family, aging, men, angels, gods and men.   Did I mention men? 

And any the shades of gray and light betwixt.

Whilst marbled and layered and oozing deep thoughts (SNL’s Jack Handey would approve), I aver my tales are firstly entertaining…   deceptively lean and airy.

With gaffes edited out, except when felicitous.

I’d love to share more.  I beg you consider asking me this very thing.

Yours faithfully,

Johnny Francis Wolf

–––––

P.S.   A dear friend once described my wordplay in a way I thought both crudely apt and much too kind.  I paraphrase  ––

Three grains of sand and fuck the rest.. 

         plumb as they ford, if solely but then… 

                     the narrowest cut of an hourglass stem.

–––––

P.S.S.   Whilst unpublished in a very real sense, a few of my earliest poetic swings (and misses) can still be found on social media. 

Some wide–eyed and cringeworthy verses, I fear. 

(I’ve nothing against ‘wide-eyed’ as a style.  I wield it often.  I find fault when it belies a slapdash effort.  And a goodly bestirred ‘cringe’ can be lovely.  When deliberate.)

There even exists a handful of primordial odes commandeered by sweet and self–published friends for their anthologies / blogs. 

Ignoble attempts mine, these originations. 

If 2 years of self–editing has taught me anything, it is to never hence present works–in–progress for public consumption. 

No wine before its time.

Best save them for a thirsty compositor.

An Interview with S.E. Reed

An Interview with S.E. Reed

Author Interview with S.E. Reed, Author of “My Heart Is Hurting”

Q: Bookmark your page or dog ear it?

A: Dog ear. I move my books around the house with me too much, bookmarks tend to fall out.

Q: Re-read books or read a book once and move on?

A: Looooove the re-reads! I’ll go back just to read memorable scenes in my favorite books.

Q: Do you prefer reading books from debut authors or more seasoned authors?

A: I buy a mixture of both. The problem with debut authors… I fall in love with them and have to wait FOREVER for their next book to come out.

Q: Adult or YA?

A: Mostly YA… but I do love the Outlander series!

Q: Do you prefer single POV or dual POV novels?

A: Honestly, I couldn’t tell you the last time I read a dual POV. BUT… I write a lot of dual POV. Soooo, there’s that!

Q: Do you want each book to stand on its own, or are you trying to build a body of work with connections between each book?

A: I write in various genres. My Heart is Hurting is contemporary YA set in South Florida. My 2nd novel releasing with Wild Ink Publishing is also a contemporary YA set in South Florida. The two stories aren’t connected, but they have some of the same vibes. I write a lot of short stories in the same area with similar themes. BUT– shift gears to my sci-fi/fantasy… I have a trilogy coming out that is a dystopian retelling of Beauty and the Beast. Which means, not in Florida. So, I have range. 🙂

Q: How did publishing your first book change your process of writing?

A: I totally pantsed My Heart is Hurting. Since then, I’ve started drafting outlines and keeping more detailed chapter notes as I go along. Having worked with an editor, I’m more well equipped now to know what to look for and how to track my own progress.

Q: How many hours a day do you write?

A: I spend about 2 hours each weekday and 4-5 hours a day on the weekends. More if I can squeeze it in. Writing is addicting.

Q: How long on average does it take you to write a book?

A: On average about 6-8 weeks. It’s the revising, editing, querying, revise & resubmits that take all the time. I prefer just to write. The other stuff is my frenemy. 😉

Q: What advice would you give to a writer working on their first book?

A: Stick to the standards within the genre you are writing. They are there for a reason.

Q: How do you select the names of your characters?

A: It’s weird to think about naming people. But, they just pop into my head. I honestly don’t have to think about it much, the character forms and the name is just part of them. I named my kids that way, like, I just knew their names early in my pregnancies. Maybe they are the ones who told me– I try to listen to my peeps.

Q: How many unpublished and half-finished books do you have?

A: Oh god, do you really want to know? Let me count… brb…

Okay, so I have 2 contemporary YA’s signed for upcoming publication. I have 3 sci-fi YA signed for upcoming publication. 1 NF signed for publication.

That leaves 5 completed YA fantasy manuscripts without homes. And I have 4 in-progress YA manuscripts of various genres. Oh, 1 completed unsigned sci-fi novella. AND about 50 short stories.

(Did I mention I’m addicted to writing?)

p.s. sorry to any books of mine I’ve forgotten… I still got love for you bro.

Q: Have you ever named a child or a pet after a character you love?

A: No, but I named the lead characters in my YA Fantasy series after my children.

Q: How old were you when you fell in love with reading?

A: In elementary school I used to hide in my closet and read for hours. Soooo… that was probably the start of it. I’m not ashamed to say, I’ve stood in line at midnight to buy a book the second it was released.

Q: Is there a genre you have never read?

A: I’m not a blood/guts/horror movie fan, so I don’t intentionally read graphic horror novels. I like thrillers and creepy/spooky, just not icky bloody freak show stuff.

Q: What type of book do you prefer? Ebook, Paperback, Hardback, Audiobook

A: I like paperback or hardback. I write so much on a computer, I don’t care to read leisurely on a screen. And I’ve never listened to an audiobook! I know, I’m horrible.

Purchase My Heart is Hurting by S.E. Reed here.